Business Day

To bard or not — that is the question

Shakespear­e’s relevance in the world is up for debate

- Lungile Sojini ● The first SSFFA festival for the year runs at the Artscape Arena Theatre from April 16 to 18.

April 2019 marks the 403rd anniversar­y of William Shakespear­e’s death. Behind his fame lie two things: his genius and the strength of the English press over the centuries.

Reported to be the most studied secular author, the adulation he has received is close to hero-worship. Playwright George Barnard Shaw termed it “bardolatry”.

The fame he has received is so great that any person who has encountere­d the English language, from whatever country in the world, has heard or read about Shakespear­e. But with decolonisa­tion a major talking point in today’s discourse, it is worth pausing to think about Shakespear­e in SA and other parts of the world.

In 2017 there was talk that

SA schools might stop teaching Shakespear­e. A committee was given the task of reviewing the overall literature in 2018 and it is scheduled to report back in 2020. This could be seen by some as a step backwards.

Shakespear­e Schools Festival SA (SSFSA) head Kseniya Filinova-Bruton believes that “the benefit that can be gotten out of studying Shakespear­e sharpens skills across the English subject and the entire curriculum”.

SSFSA provides resources for schools to stage their own Shakespear­e production­s, and holds annual schools Shakespear­e festivals. The festivals, Filinova-Bruton says, are transforma­tive platforms for pupils as they are not only exposed to Shakespear­e but theatre as well.

There’s so much fun pretending to be kings, queens and magical characters like fairies from plays such as A Midsummer Night’s Dream, she says. As children are tasked with the challenge of finding meaning in Shakespear­e’s difficult archaic language, they indirectly learn to sharpen their communicat­ion skills, which can spill over to other areas of their lives, she says.

“Grappling with Shakespear­e is hard, so it requires perseveran­ce and elevated thinking skills. This in turn gives students the skill and courage to deal with other challenges in their lives.”

Shakespear­e ZA (a nonprofit organisati­on for Shakespear­e lovers) disagrees with those who associate Shakespear­e with colonialis­m, elitism and Englishnes­s.

What about the introducti­on or promotion of African playwright­s? Filinova-Bruton believes more should be done to develop SA writers and says the SSFSA festival supports schools that introduce pupils to local playwright­s, but she is adamant that classics like Shakespear­e have a bigger role in the growth of pupils’ analytical and intellectu­al skills.

But Shakespear­e hasn’t always occupied this hallowed position. It’s worth noting that the bard wrote at a time when English society was not certain about its literature. Their bookshelve­s and libraries paled in comparison with what the Greeks and Romans had produced. This was a time when English authors sought to up their game and produce big dramas like the other nations had done.

Shakespear­e’s educated contempora­ries saw it as their duty to undertake this great mission. An uneducated, unconnecte­d upstart like Shakespear­e was the last person they expected to tag along. While he received levels of success in his time, he wasn’t expected to become as popular, influentia­l and significan­t as he later would. His plays are enacted across the world and movies based on his work continue to be made.

The Chinese are sceptical of Western ideas. American tech giants such as Google, Facebook and Twitter do not have a free rein there. As a result, the Chinese have Baidu as their search engine, and Weibo and WeChat as social media platforms and instant messaging tools. But they are receptive to Shakespear­e’s plays, which speak to their horrors and aspiration­s.

Back home, the bard has his own detractors. A tiny few dispute that Shakespear­e wrote the plays and poems attributed to him. His knowledgea­ble works and, to some extent, his unexpected success, as well as the fact he never went to university, inform the Shakespear­e authorship debate.

Filinova-Bruton says “there is much more evidence that William Shakespear­e wrote those plays than anyone else”.

Whatever one thinks of this debate, there is charm in the story of an outsider who now symbolises the English language and has brought pride to a nation.

 ?? Macbeth. /Supplied ?? Toil and Trouble: The teaching of Shakespear­e at SA schools is under review. Here, Swartland High School pupils perform
Macbeth. /Supplied Toil and Trouble: The teaching of Shakespear­e at SA schools is under review. Here, Swartland High School pupils perform
 ??  ?? Bardolatry: Above: Cedar High School performing
Merchant of Venice. Bottom: members of Lalela Project performing A Midsummer Night's Dream. /Supplied
Bardolatry: Above: Cedar High School performing Merchant of Venice. Bottom: members of Lalela Project performing A Midsummer Night's Dream. /Supplied
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