Business Day

Five things to watch this weekend

- /Tymon Smith

THE LAST THING HE WANTED — NETFLIX

Based on Joan Didion’s 1980s Iran-Contra scandal novel, Dee Rees’s film is sometimes a little overly complicate­d for its own good but still provides plenty of wheeler-dealing political intrigue. Starring Anne Hathaway, Willem Dafoe and Ben Affleck, it’s the story of what happens when a veteran journalist under pressure from her cunning back-room-dealing father agrees to do a favour that turns her into the focus of attention of an embarrassi­ng and unwanted scandal for US diplomatic relations in troubled Cold War-era Central America.

QUEEN SONO — NETFLIX

Netflix’s first original African series stars Pearl Thusi as a buttkickin­g secret agent working to bring down the corrupt and greedy in Africa. Part action thriller, or political drama, Kagiso Lediga’s series provides a refreshing­ly entertaini­ng look at Africa and its complexiti­es from a wholly African perspectiv­e. It’s a new take on an old trope but with plenty of beautifull­y filmed pan-African locations and pleasantly familiar faces in its cast, it’s also good and solid entertainm­ent.

BABIES — NETFLIX

Over six episodes this docuseries examines everything we love and coo about when it comes to the little people we can’t stop making, loving and being perplexed and intrigued by. If this doesn’t make you broody and awed by infants and the surprising­ly complicate­d ways they learn to deal with the world, then nothing will.

THE FORGIVEN — SHOWMAX

With comments by FW de Klerk and apartheid at the recent national conversati­on, director Roland Joffé’s claustroph­obic but searching two-hander seems timely enough to forgive the prosthetic­s used to turn Forest Whitaker into Archbishop Desmond Tutu. Set at the beginning of the Truth Commission, it’ sa fictional story of a meeting between Tutu and an apartheide­ra murderer played by Eric Bana looking for redemption in exchange for full disclosure.

NYMPHOMANI­AC — SHOWMAX

Not for the youngsters or the faintheart­ed, Lars von Trier’s double bill exploring the much darker side of sex is a difficult to watch but intellectu­ally rewarding dissection of desire, humiliatio­n and attraction. Starring Charlotte Gainsbourg, it’ sa nominal two-film tale of one young woman’s sexual life from adolescenc­e to adulthood that leaves you feeling exhilarate­d, disgusted and uncomforta­ble in equal measure.

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