Business Day

New Ghost continues star-power spirit

Experience­d the life of the rich and famous in the whisper-quiet Rolls-Royce

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It’s not that long ago that Rolls-Royce was what you could call a Phantom company. Under the stewardshi­p of BMW, it was only making the super luxury seventh Phantom, which lasted for 14 years, a model life cycle that is almost unheard of in the automotive industry.

Since then the famous British marque has produced the Wraith, the Dawn and its first SUV, the Cullinan. Along the way it also produced an entry-level model, though calling the Ghost entry-level is somewhat crass and, let’s face it, for many of us it was still beyond the budget that would grant us entry into the Rolls-Royce owners club.

SECOND GENERATION

The Ghost too lived on far longer than most models, at 11 years, and now we have the second generation of what is referred to as the Goodwood Ghost, the affectiona­te name coming from the site in the south of England where the Rolls-Royce headquarte­rs and production facility are based, alongside the famous Goodwood estate.

It s based on the same platform as that used for the Phantom and the Cullinan SUV, what Rolls likes to call the “Architectu­re of Luxury”. It’s a spaceframe that can be adapted to suit and in the case of the Ghost means it is available in standard and extended wheelbase versions for those who want to relax even more in the sumptuous back seats.

And it’s that luxury that the new Ghost is all about. Yes, it’s the most technologi­cally advanced Rolls yet and there’s clever engineerin­g such as the world-first new Planar suspension that features a vibrationr­educing damper on top of the traditiona­l damper. There are revisions to the 6.75l twin-turbo V12 engine, all-wheel drive and, for the first time, all-wheel steering, but it’s about what this all means for the wealthy owner that counts.

“Clients shouldn’t be concerned about what’s going on beneath the skin, just the result,” says chief engineer Jonathan Simms.

The result is a whisper-quiet ride, so quiet in fact that they had to fix the fact the air coming out of the vents seemed too loud. As we wafted along British country lanes, there was barely a sound from outside the vehicle, as it should be.

Accelerate and the large V12 seems muted, even when you pull the steering columnmoun­ted gear shifter into Low for a sportier drive.

And the Ghost can do sportier, in spite of its 2.5-tonne weight. It quickly dispatches corners and long stretches of road with minimal fuss.

The driving position is spot on, providing a relaxed feel behind that large steering wheel. Sinking into the handcrafte­d leather seats, it’s a different world, though of course one many owners will be accustomed to. Unlike the Phantom, the Ghost is a car to be driven as much as to be a passenger in and it delivers a surprising­ly good drive in all conditions.

But back to the true Roller experience, the one in the back seats. Interestin­gly, customers said they wanted less but, at the same time, more. Confusing perhaps, but essentiall­y they wanted it to be less opulent while still having all the latest design, technology and luxury.

It still seems rather opulent to us though. The rear-opening coach doors now open electronic­ally from both outside and inside. There are lambswool carpets your feet sink into and the leather seats are more comfortabl­e than my sofa.

The model we drove had a champagne cooler between the

seats, perfectly set at 11°C, a starlight headliner replete with shooting-star effect, fabric curtains that deploy electronic­ally and an entertainm­ent system that appears from the back of the front seats at the touch of a button. Perhaps more is less, or is it less is more? Either way, it’s all very luxurious indeed.

There are plenty of design changes externally too. The

Ghost is the first Rolls to feature an illuminate­d grille, if you like that sort of thing. The famous Spirit of Ecstasy now sits within the dimensions of the bonnet, the front edge of which now forms part of a continuous line across the facade of the car.

The side profile is an exercise

in elegance with just three main lines: the silhouette that rises over the roof and down the tapered rear, referred to by the head of exterior design, Felix Kilbertus, as being like a “cascading waterfall.”

There’s a traditiona­l belt line and then a waft line towards the lower part of the body, designed to make the Ghost look like a yacht rising out of the water. At the rear, the tail lights sit within a seamless piece of aluminium, again clever both in terms of design and engineerin­g.

The brief might have been to have less, but the new Ghost is much more than the last generation. It’s luxurious with an ability to travel effortless­ly while making barely a whisper. Like other Rolls-Royce models, it’s all handcrafte­d and assembled with a level of attention to detail that is unmatched anywhere in the automotive industry.

And, at the risk of sounding like a Stella Artois advert, it’s reassuring­ly expensive. The model we drove had a price tag with options of more than R7m, though in SA the Ghost is price on applicatio­n with first deliveries due early in 2021.

LIKE OTHER ROLLSROYCE MODELS, IT S ALL HANDCRAFTE­D AND ASSEMBLED WITH A LEVEL OF ATTENTION TO DETAIL THAT IS UNMATCHED ANYWHERE

 ??  ?? Design changes include a more athletic front that is also available with the first illuminate­d Pantheon grille. Left: The latest tech is well disguised in a traditiona­l looking dashboard.
Design changes include a more athletic front that is also available with the first illuminate­d Pantheon grille. Left: The latest tech is well disguised in a traditiona­l looking dashboard.
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 ??  ?? Electronic­ally opening rear doors reveal a world of ultimate luxury.
Electronic­ally opening rear doors reveal a world of ultimate luxury.

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