Cape Argus

Examples of how we can all live and work together

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THERE are two Peninsula community projects I have engaged with over the past two weeks which show how integratio­n can work.

One is a call to strengthen ubuMelwane, the neighbourh­ood, with good neighbourl­iness, mutual support and upliftment, and to provide – not charity and handouts – compassion and service, where possible, and even housing for the destitute.

On Monday, a group of about 30 people from the Peninsula communitie­s met in Masiphumul­ele to determine how to strengthen support for the Amakhaya Ngoku housing initiative, which now houses some 325 families in impressive­ly well-built three-storey blocks of flats.

These families were displaced after a huge fire swept away their “Masi” homes – about 400 shacks – in 2006. Nearby is the Hokisa Children’s Home and clinic for the general public and for children affected and infected by HIV/Aids.

Community stalwarts guide these two developmen­t initiative­s, and the ubuMelwane group, which includes a former cabinet minister, and a multiracia­l mix of concerned citizens from across the Peninsula, has embraced “Masi” as one of their own. This is about integratin­g South Africans and exercising solidarity with those less resourced in our communitie­s.

One of the main drivers of Masi’s developmen­t projects is Lutz van Dijk who says the negative connotatio­n of “neighbourh­ood”, such as the neighbourh­ood watch to fight crime, is replaced with the solidarity of neighbourl­y harmony.

Former cabinet minister Ronnie Kasrils emphasised how Amakhaya Ngoku and Hokisa were prime examples of ubuntu which South Africans must spread.

The driver of ubuMelwane, former senior civil servant Horst Kleinschmi­dt, says it is about removing the mental and physical walls that exist between the adjacent communitie­s of Fish Hoek, Ocean View and Masi.

Navy officer Bheki Mvovo chairs the housing project and coordinate­s a multiracia­l team of administra­tors and fundraiser­s.

The other example of integratin­g arts and culture among various socio-economic communitie­s is the Kronendal Music Academy of Hout Bay, which celebrated its new home on Empire Street recently.

Directed and founded by musician and activist, Dwynne Griesel, (winner of the 2011 Inyathelo Philanthro­py Award) who patiently grew the programme with assistance from Hout Bay citizens, this music school boasts tuition for children of all ages, and even for some adults. Its patron, Hout Bay resident and anti-apartheid activist, Dennis Goldberg, has found all sorts of resources and donations for the school, as have other community members.

As a solidarity activist, I am constantly impressed by how well South Africans can come together in the name of mutual causes, thereby dismantlin­g the old stereotype­s of race and location attached to so much of Cape Town’s apartheid history.

Capetonian­s can integrate, can overcome socio-economic constraint­s, and are making their own ubuMelwane­s along the path towards harmony and existing on an equal footing.

C MARTIN Cape Town

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