Cape Argus

Welcome back

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NEWSPAPER readers were greeted yesterday by the still familiar if somewhat more increased features of a quintessen­tial Cape writer who has been absent from the public conversati­on, by choice, for many years.

The silver-haired Adam Small, poet, playwright and chronicler of a wretched recent past that we live with still, made a deservedly celebrated return to public life – in the qualified way that such people occupy a public role – when he earned a standing ovation for his appearance at the Breytenbac­h Centre in his home town of Wellington as the guest of honour at the weekend’s Poet Festival.

He read a selection of poems from his latest anthology, Klawerjas; by all accounts, the audience was entranced.

Small made his debut as a poet in 1957 with Versevandi­eliefde. But since writing and staging the play OosWesTuis

Bes:DistrictSe­s in 1973 he has been all but silent. It was a silence of distress.

Some remember him as a scholar, the recipient of an MA cumlaude from UCT on the philosophy of Nicolai Hartmann and Friedrich Nietzsche, others as a defiant adherent of Black Consciousn­ess, or a much-loved and admired figure on the campus of the University of the Western Cape where he filled numerous roles, not least as a dramatist/director who helped young actors realise on stage the anguish and futility of the apartheid years.

Far beyond these confines, he is known as the crafter of an extraordin­arily expressive vernacular Afrikaans, the memorable vehicle of his acclaimed play of 1965, Kannahykôh­ystoe.

WRITERS, the best of them, are not crusading figures concerned primarily with service delivery, say, or achieving this or that more or less utilitaria­n objective for which government­s are voted in and out of power and administra­tors are paid sums of money that literature has never had lavished on it.

But nor are they dispensabl­e, for without their enriching our collective mental life we are immeasurab­ly impoverish­ed. Adam Small’s thoughtful, satiric, sad, celebrator­y, distinctiv­e voice has been missed. We applaud his return.

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