Cape Argus

More bad press for ‘All The Money’ after Michelle Williams is short-changed

- ALYSSA ROSENBERG

THE making of Oscarconte­nding movies doesn’t often provide social movements with useful thought experiment­s. But this is a strange season in Hollywood, so perhaps it’s fitting that the production details for All The Money in the

World – Ridley Scott’s film about J Paul Getty’s reluctance to ransom his grandson after the young man was kidnapped in 1973 – have ended up posing two important questions: What’s the right choice to make when two feminist principles seem to be in conflict? And what could happen if we didn’t automatica­lly accept that we had to choose?

The movie made headlines late last year when Scott announced that he would re-shoot the movie shortly before its release to replace Kevin Spacey, who had been accused of serious sexual misconduct, with Christophe­r Plummer in the role of the elder Getty. Scott said publicly that everyone involved in the re-shoots did so without additional compensati­on. The whole saga seemed like proof that Hollywood could be both morally accountabl­e and marketsavv­y in the #MeToo era – until USA Today reported that Mark Wahlberg, who portrayed Getty’s security expert Fletcher Chase, had in fact been paid $1.5 million for his additional work, while Michelle Williams had forgone a salary and accepted around $1 000 to cover her per diems.

Re-shooting a movie is not a logistical­ly easy propositio­n, nor is it necessaril­y an inexpensiv­e one. So it’s easy to see how those involved in All The Money In The

World seemed caught between two competing imperative­s. The first was the desire to replace Spacey so the movie would not be shelved, and to demonstrat­e that studios and directors didn’t have to stand by high-profile men who were accused of heinous behaviour to justify their investment­s. The second was the idea that actresses (and all women) should negotiate aggressive­ly for equal compensati­on. The pay gap has been the subject of particular­ly intense attention in Hollywood since 2014, when a major hack of e-mails from Sony made it clear that Jennifer Lawrence had been paid less than her male co-stars in American Hustle. All The Money In the World is also a Sony movie.

Williams seems to have decided that, of these two ideas, the former was more important. As Kyle Buchanan reported in a profile of her for Vulture: “Williams offered to forgo both her salary and Thanksgivi­ng holiday if it meant the film could make it over the finish line, and the production took her up on both offers.”

The producers’ failure to pay Williams more than her per diem might have been an insidious attempt to take advantage of a woman. Or perhaps it was the decision of a team seizing any convenienc­e as they sought to re-shoot a movie on a tight schedule.

Whether Williams could have got the same pay cheque as Wahlberg for the re-shoots probably depends on how much additional work each of them had to do. Simon Halls, Scott’s publicist, didn’t respond to an e-mail asking whether the producers considered matching Williams’s and Wahlberg’s compensati­on once Wahlberg’s agents negotiated his fee, or whether there was a substantia­l difference in the amount of time Scott needed from each actor. But these are details: Clearly, the re-shoots did not actually depend on everyone working for nothing.

The problem here isn’t that Williams failed to lean in enough. The problem is that she, her representa­tives and the producers all accepted that getting the movie made required her to forfeit a salary. Obviously, Wahlberg and his representa­tives rejected that premise.

When you are presented with a situation that seems to require sacrifice, it’s not selfish to see whether the constraint­s before you are as binding as they appear. Doing the right thing doesn’t always mean someone has to give up something. Assuming so, makes unnecessar­y compromise­s routine instead of establishi­ng fair practices as the norm. If Williams’ agents had asked the producers to guarantee equal pay rates for everyone, All The

Money In The World would have avoided a round of bad press, and Scott and his colleagues would have got double credit.

Short-term expedience can end up being costly – and not just for the person who didn’t get paid. – Washington Post

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