Cape Argus

WONDER WALL

- MICHÈ EDWARDS miche.edwards@inl.co.za

GRAFFITI artist Loveligh putting the finishing touches on his piece about the future of Philippi Village.

STRIKING and beautiful artworks are adding colour to the previously drab walls of Philippi.

A community-led painting project came to a close with the Siyangena community’s walls and surfaces covered in striking graffiti artworks.

The project – establishe­d by Philippi Village, a community and economic hub situated at Cwangco Crescent in the heart of Philippi – saw artists and the community working together to paint different spaces in the area.

William George, a representa­tive of the board of Philippi Village, said: “Our programme design consciousl­y encouraged community members’ involvemen­t at every step of the journey. They helped to shape how the programme developed and it was their stories and feedback that inspired the design of the wall mural.”

Over the past two weeks, the organisati­on teamed up with Interfer, a participat­ory storytelli­ng organisati­on, and six of Cape Town’s most establishe­d graffiti artists to encourage community members, tenants and stakeholde­rs to visualise what a future Philippi might look like.

Through a series of workshops designed to focus on collaborat­ion, participat­ion and co-design, visions for the potential future of Philippi were establishe­d.

These visions were transforme­d into images that are now seen on various walls and surfaces in the village.

The final result tells a visual story of a fictional character named Thembi, a young woman who is the personific­ation of Philippi. The murals reflect her life, struggles, aspiration­s and vision for the future.

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INTERFER
 ?? INTERFER ?? GRAFFITI artist Chad Hanning collaborat­es on a section of the wall with Philippi Village tenant Vanessa Manyeni and a community member, Mlulami Mvimvi. |
INTERFER GRAFFITI artist Chad Hanning collaborat­es on a section of the wall with Philippi Village tenant Vanessa Manyeni and a community member, Mlulami Mvimvi. |

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