Cape Times

BOOK MARKS

- Hodder & Stoughton Parthian

SO, HERE is a book that will have you either staying awake at night or tossing it aside in sheer horror.

Chris Ryan is an author known for writing about the tough stuff of war and terror. In fact, he is qualified to write the types of novels he writes; he was a member of the UK’s elite SAS unit.

The thing about books like Hellfire is that they are filled with blood and gore, but Ryan manages to bring some perspectiv­e to what is going on. Bioterror, it would appear, is about to be unleashed on the world.

This is not an inflammato­ry anti-Muslim book. It keeps a balance between the difference between behaviour and belief. It’s also I suspect remarkably on the ball. I can’t say that I found it a restful read, but I did find it a good read.

– Jennifer Crocker THE LONGEST FIGHT

Emily Bullock Loot.co.za (R208)

Myriad

BOXING novels are rarely about just boxing. On One of the best of the genre, Leonard Gardner’s Fat City, US author Joyce Carol Oates wrote: “It is less about boxing than the strategies of self-deception; a handbook of sorts in failure.”

That might also apply to this wonderful first novel by Emily Bullock. Jack Munday, a former boxer-turned-manager, is on the lookout for a prospect and finds Frank, a fighter with a mop of red hair and a lightning left hook.

Like Fat City, The Longest Fight is really about the fragility of masculinit­y – Jack associates his failure as a boxer with his inability to stand up to his abusive father. But Bullock’s moving, punchily written novel also gives attention to the wives, sisters and daughters affected by boxing’s masculine codes.

– The Independen­t LAND WHERE I FLEE Prajwal Parajuly Loot.co.za (R182)

Quercus

PRAJWAL Parajuly’s first novel ventures into the diverse culture of Nepali communitie­s in the Himalayas and beyond.

Delivering on the immense promise in his debut story collection, The Gurkha’s Daughter, this is a delightful comedy of manners set in northern India.

It’s Chitralekh­a Nepauney’s 84th birthday and her grandchild­ren have returned from abroad to engage in celebratio­ns: Agastaya is a medical doctor; Manasa, a corporate high-flyer-turned housewife; Bhagwati, ostracised for her elopement with a man of “inferior” caste; and novelist Ruthwa.

Not all are welcome and Parajuly’s clever, caustic work savours the community’s language and customs even as he joyfully pricks its taboos.

– The Independen­t ROBERTS’ debut collection of short stories is often charmingly, yet also brutally concise when observing the pitfalls and absurditie­s of contempora­ry relationsh­ips and lifestyles.

His characters hold jobs directed by management speak and express their feelings via Facebook – nothing so new there, perhaps, but taken as a whole, they highlight a dissatisfa­ction with contempora­ry life that can only be expressed in ironic laughter that is self-deluding and selfdefeat­ing.

Laughter becomes the last option because words have become so inadequate, devoid of meaning. There’s enough here for us to recognise and laugh about, but Roberts is spiky enough never to let us feel too comfortabl­e.

– The Independen­t

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