Realistic and convincing

SOUTH AFRICA’S complex history is something that the arts have explored in many guises – particularly concerning the post-apartheid experience. Many people still struggle with displacement issues and are trying to find a place of belonging.

Suddenly the Storm takes a look at the ripple effects of apartheid, focusing especially on personal relationships. Dwayne (Paul Slabolepszy) is an older man with many secrets that are revealed throughout the play. His ditzy wife Shanell (Charmaine Weir-Smith) provides most of the comic relief, playing up to the stereotype of a trashy woman from Brakpan who also dishes out some low- key racist remarks.

Both Slabolepszy and Weir-Smith give very realistic performances and Slabolepszy’s stellar script provides them with a great foundation to deliver convincing dialogue.

This pair of actors also share a tangible chemistry on stage and as their relationship progresses throughout the piece, it’s actually quite remarkable to witness just how in tune their characters are with one another, even down to their quarrels.

However, when Namhla (Renate Stuurman) enters the scene, there is a clear shift in the dynamic, with the score and overall mood giving a clear indication that something is not quite right. There is amazing set design by Greg King with the lighting by Wesley France drawing you completely into this intriguing world Slabolepszy has crafted.

Furthermore, the play addresses some interesting issues that are prevalent in society. Dwayne’s interaction with Namhla especially looks at how displacement can have an adverse effect on people’s lives.

Namhla suffers from a sort of identity crisis. After watching Suddenly the Storm I can see why it won multiple Naledi Theatre Awards, including best script, set design and lighting. This is a riveting, must-see show boasting an engaging mixture of poignancy and humour.