Cape Times

Novel is a feminist revenge drama

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IF THE CREEK DON’T RISE Leah Weiss Sourcebook­s Landmark

APPALACHIA, the huge mountainou­s region stretching across 13 states from southern New York to northern Mississipp­i, home to a sizeable chunk of America’s white rural poor, occupies a distinctiv­e if culturally under-represente­d place in that country’s imaginatio­n.

Populated by around 25 million people, about 8% of the US population, many descended from the Scots-Irish settlers who emigrated there in the 18th century. It has inspired works as diverse as John Boorman’s Deliveranc­e and Aaron Copland’s Appalachia­n Spring.

Like “the West” or “the South”, it’s an evocative, mythic space.

Told with a kind of inquisitiv­e Gothic realism, the story opens with its heroine, Sadie Blue, a pregnant teenager in the ‘70s North Carolina backwater of Baines Creek, being savagely beaten.

Only weeks into her marriage to the local lothario-cum-sociopath, she exists in a world where men’s cruelty can be partly explained by them being raised by “mamas who loved men more than their babies”.

Doomed romance, violence and dysfunctio­nal families are grist to the mill in this “piss and vinegar” redneck world, but Weiss wrongfoots expectatio­ns early on by moving inside the heads of a range of characters, from the local preacher to a school teacher, who moves to the town from the city.

Sadie Blue’s story is just one among many in a tale set in what Greil Marcus called “the old, weird America”, in which women are almost as morally compromise­d as the men.

The novel is loosely a feminist revenge drama, with sadistic, hapless men being served rough – and comic – justice by women ground down by misogyny. The ostensible bleakness of that theme is, however, couched in a deadpan wryness that precludes a descent into miserabili­st “realism”. The technique of moving into the minds of a cast of different personalit­ies gives the book a filmic, rounded feel.

The climax, when it comes, feels earned, but doesn’t occur quite as expected. It’s a satisfying­ly strange confection. – The Independen­t

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