Cape Times

Lighten up – what’s so wrong with showboatin­g if you score?

- SIWAPHIWE MYATAZA

AS A young girl growing up in a town that was famous because of its then prominent football team, Mthatha Bucks FC, Diski was a daily thing.

After school, I’d head to Bucks ground to watch them train and on weekends I’d never miss their games.

What attracted me to this club was that it was the only big team in the Eastern Cape at the time; maybe I felt a need to be loyal to them.

But honestly, I found their art of showboatin­g magnetic. Suddenly I had access to a world of football outside my school.

Of course, as a profession­al team, they possessed finer techniques of passing, shooting and dribbling through their players, but there was one aspect that stayed with me more than anything else – the boasting that my role models always brought to the field.

In all the years I have been exposed to football, I know dribbling as a massive part of how football is played.

Why did South Africa’s most successful coach, Pitso Mosimane, criticise

Orlando Pirates midfielder Fortune Makaringe for showboatin­g during their 1-0 loss to the Soweto giants?

I would say, in football we are starting to see barriers of class manifestin­g over showboatin­g polemics. It’s all about class.

The wealthiest and most powerful people in football, the posh coaches, refuse to be associated with anything that looks like township football.

That dust cannot match their level in life now.

Dribbling, being associated with unprofessi­onal football, anyone who masters it doesn’t have a bright or sustainabl­e future in football, just like “township people” don’t have. These are all thoughts that class can mould in a person.

Remember the former Baroka FC midfielder, Tshepo “Skhwama” Matete?

His skills were said to be for township tournament­s and not to build a robust profession­al football career.

It is ludicrous to see that rules towards flair and imaginatio­n still exist in the game.

In 2017, Kaizer Chiefs went viral for a stylish sequence of play at the end of their match against Platinum Stars.

Passing the ball around confidentl­y, the Chiefs’ players threw in a series of nice touches, extravagan­t dribbles and a few odd yet entertaini­ng feints.

For many fans like myself, it reminded us of what we first enjoyed about the sport and elicited our interest in a local style on the periphery of the game.

To me, it looked like players enjoyed their time on the field and were backed by a group of fans that appreciate­d their performanc­e.

That wasn’t a mockery of the opposition; it was effective, entertaini­ng football.

Coming back to the recent case of Makaringe, he brought the Orlando Stadium crowd to its feet when he knelt on top of the ball in true Mzansi style, but coach Mosimane was not impressed, even mocking the move when the ball went out of play and gesturing to the fans.

Were critics angry with the Pirates Midfielder because dribbling is disrespect­ful to the opponent? Who are we to dictate?

Every player has access to learning and perfecting the tricks used to beat defenders.

If the move works, why do we feel the need to draw some imaginary line protecting an opponent who has the exact same opportunit­y to master these same skills?

Instead of trying to legislate these ridiculous unwritten rules about skill, it’s time to rid the game of them. The only real disrespect shown is to the athlete who worked to develop and savour their ability, only to have it labelled frivolous, extravagan­t or arrogant.

Football is supposed to be fun. Do we seriously believe it’s in our best interests as fans to hide behind dull rhetoric and take offence at those who enjoy the game to the fullest?

Can we not enjoy the rare moments of skill, or are we simply content to let our anger towards showboatin­g operate as a subtle proxy of how we actually feel – inadequate, in that maybe we weren’t the ones talented enough to make it to the top?

Black people should stop being fascinated by the idea of sounding smart at the expense of others.

Myataza is a political science graduate from UWC, and founder of Village Girl Creatives.

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