Cape Times

Bheki Gila: The day the flowers died. Media freedom in our times.

- BHEKI GILA Ambassador Bheki Gila is a Barristera­t-Law.

THIS ARTICLE seeks to explore the attributes of media freedom within a framework of two parallel postmarks, one being an anniversar­y we must never forget. The other is the return of a familiar yet dictatoria­l tendency of a sinister kind, fascism. For the former, October 19 marks for South Africa’s nominal media freedom day that dark Wednesday in 1977 when The World and Weekend World newspapers were banned, including the ecclesiast­ical publicatio­n, Pro Veritate.

No matter the puerile excuses proffered, Percy Qoboza and his team were targeted for three cardinal sins in particular. First, apartheid’s umbrage included the newspapers’ reports on the humiliatin­g defeat of South Africa’s military misadventu­res at the hands of the combined Cuban and Angolan defensive manoeuvres. Second, the Balthazar J Vorster administra­tion was frustrated by the local and global impact of the newspaper reports on the June 16, 1976, uprising and its aftermath. Most importantl­y, a month before the issuing of the despotic edict by Jimmy Kruger, the publicatio­ns gave prominent coverage to the brutal murder of Steve Biko. Predictabl­y therefore, at the height of the madness called apartheid, such aberration­s had become commonplac­e.

This draconian impulse had nothing to do with what the media did or did not do. In a way, the quintessen­ce of the freedom of the Fourth Estate to reflect on its surroundin­gs and the suasion that defines its morality, sums up what generally refers to as “media freedom”. Out of the experience of the day the flowers died we draw from one of its many lessons that at some critical point of concentrat­ion, power itself wishes to become the only medium, with or without the freedoms that define it, especially without. For with freedom comes accountabi­lity. And so in that crossroads of conflict where the hubris of power encounters a free media, it is the freedom to engage honestly, fairly and factually on matters affecting publicans that suffers violent casualty.

The media, therefore, has got a lot of responsibi­lities to protect its freedom and, protect it, it must. Our times as do our quotidian routines are inclined wholesome to the impulses of journalism, whether at its worst when it persecutes the innocent or at its most devious, when it exonerates the errant ways of the powerful from public scrutiny. There is no denying that we are dominated by journalism, as the most quotable penman of his generation, Oscar Wilde, once observed. His birthday celebrated three days shy of our “media freedom day”, he once famously observed that “somebody – was it Burke? – called journalism the fourth estate. That was true at the time no doubt. But at the present moment, it is the only estate”.

Freedom unchecked to whomsoever it behoves, is irresponsi­bly bestowed. In such state, its propensity may be injurious to anyone within proximate reach. As the only estate remaining, it has too much power and every so often, it tends to exhibit similar oppressive and arrogant tendencies which the apartheid Frankenste­in flaunted with gleeful abandon. No doubt, the media has got the right to

err within its limits as prescribed either by fiat or by the law of precedence. Our expectatio­n is that it can falter in so far as its interpreta­tion of facts is concerned. Hardly can it be absolved from the pursuit of the truth gleaned from objective fact.

The second postmark is the rise of anti-intellectu­alism. At its lowest form, this is the tendency to draw conclusion­s which are not supported by rational facts. At this political moment in our realm, the frequency and the extent of its occurrence, reflects a significan­t advance towards a dystopian uncertaint­y. There are signs everywhere. The most compelling is when the interests of the State and those of the individual­s who people it become insidiousl­y intertwine­d. In an attempt to prevent or delay an inevitable fall, the State or at least its administra­tors, become paranoid and subsequent­ly

dictatoria­l, insisting on vaunting one version of events only and one version of interpreta­tion over it, their own.

There are many threats to the sustainabi­lity of the freedom of the project in which the media forms an integral part. Yet none poses a more lethal threat to its existentia­list ambitions than the media itself. Bias. Unfairness. Untruthful­ness. Pandering to powerful interests. There is no doubt that the media will survive. However, the conniving power of these negative traits will pervert the essence of its currency, which is based on public trust.

The media ought to be reminded that they are designed to serve as a bulwark against intellectu­al fascism and its streak to impose one view on society, whose fascinatio­n is to claim absolute superiorit­y above all other ideas. By its dark nature, fascism tends to churn out tribal affiliatio­ns.

Homophobic tribes. Racists. Religious fundamenta­lists. Anti-communists. Anti-capitalist­s. And the list may go on. And for reasons deeply steeped in history, South Africa is a convenient fertile cesspool for the nurturing of these warlike mongers. Thus the media is expected to play arbiter in the disseminat­ion of fact, even though such facts are not sensationa­l enough for the commercial bottom line of some media houses. Even though Wilde remarked that the pure and simple truth is rarely pure and never simple, on this 19th of October I make bold to say that from the media is required simplicity of fact and purity of intention in enough measures to feed the embers of the media fires and its oft’ threatened freedoms.

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 ?? Supplied ?? PERCY Qoboza, editor of The World and Weekend World, both of which were banned, outside the newspapers’ offices just before he was detained without trial. From the media is required simplicity, says the writer. |
Supplied PERCY Qoboza, editor of The World and Weekend World, both of which were banned, outside the newspapers’ offices just before he was detained without trial. From the media is required simplicity, says the writer. |
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