Cape Times

‘The Skipper’s Daughter’ shows changes in shipping industry

- BRIAN INGPEN brian@capeports.co.za Ingpen is a freelance journalist and the author of nine maritime books

MARKETING and delivering Cape Town’s Dockland have introduced me to numerous people and rekindled acquaintan­ces from former years.

Thus a most pleasant chat over a cuppa on the patio of the popular radio presenter and journalist Nancy Richards and her husband John-Clive, a renowned oil and watercolou­r artist, was a voyage into the past, particular­ly when Nancy gave me a copy of her book, The Skipper’s Daughter, published recently by Karavan Press.

It’s the delightful and true story of Nancy Brooks, a strong-willed, resourcefu­l and vivacious teenager who, in 1938, went to sea with her much-loved father, Captain Billy Brooks, the master of the British trampship Nailsea Manor that left Birkenhead on the Mersey on July 2 and returned to Britain more than six months later.

That voyage was shattered by harsh and unexpected tragedy, yet related so sensitivel­y.

To distinguis­h Nancy Brooks from her daughter – later Nancy Richards – they were known respective­ly as Big Nancy and Little Nancy. Much of the story is told via Big Nancy’s log that she kept meticulous­ly during the voyage, with Little Nancy’s informativ­e prologue and her carefully crafted narrative linking the log entries to provide a flowing background to events. Eventually learning additional pieces of informatio­n – given reluctantl­y, yet happily, in later years by her mother, Little Nancy has given readers a glimpse of the interestin­g character of Big Nancy.

Besides portraying the warm relationsh­ip between father and daughter, the diary entries reflect a growing mutual admiration between Big Nancy and one of the young officers on board. Those entries also reveal much of life aboard a contempora­ry British trampship – rather Spartan accommodat­ion, much fairly monotonous work for the crew, but reasonable food.

Reading the book, many older salts will be reminded of and will shake their heads at the huge chasm between shipping operations of that era and current practice. From Birkenhead, Nailsea Manor headed for Curacao in the Dutch Antilles where she bunkered before transiting the Panama Canal. She skirted the US west coast and called at Canadian ports where all – from Captain Brooks to the deck boys – enjoyed lengthy runs ashore. Another bunker call at Honolulu provided a pleasant interlude on the long trans-Pacific haul to Australia where again, the crew enjoyed generous shore leave during lengthy port calls, especially since Aussie stevedores are notorious for their short working hours and indolence.

Berthing at terminals that are often remote from the bright lights of the cities, modern containers­hips are in port sometimes for hours before putting to sea again.

Even crews aboard bulkers whose cargoes may take a few days to load or discharge may find that high-handed immigratio­n or security officials have denied them shore leave on Covid-related grounds – despite no illness during a lengthy ocean voyage – or because draconian post 9/11 regulation­s dictate that ships’ crews should be treated differentl­y. Air crews are not subjected to such treatment.

Senior officers forged good relationsh­ips with ships’ agents, chandlers and other shoreside folks, auguring well for the smooth operation of ship. Big Nancy enjoyed wonderful times ashore with the families of those officials.

Aboard Nailsea Manor, there was time for deck cricket on number two hatch, table tennis, cards, a concert or two, and other shipboard group entertainm­ent. Older salts will associate warmly with those and with the quiz night, or with the scratchy 16mm films that, after a delicious braai on a balmy tropical evening, were shown against the white bulkhead on the boat deck. There were darts tournament­s, fancy dress suppers, and I recall those aboard the sugar carrier Sugela enjoying badminton, volleyball and even soccer matches in the vessel’s holds while on the ballast return haul from Japan to Durban.

In contrast, many modern ships with their multinatio­nal crews with an appetite for solitary movie viewing present little home-grown entertainm­ent that played an important role in social cohesion in former years.

And what of Nailsea Manor? A straggler from a trans-Atlantic convoy and carrying munitions, other war supplies and a landing craft as deck cargo that protruded over the sides of the ship, she was sunk by U-126 in October 1941. A corvette rescued all her crew and transferre­d them to an Ellerman freighter who landed them in Freetown.

The second mate, who had signed off Nailsea Manor on her return to Britain from that well-covered voyage to Australia, gained his master’s certificat­e and joined Anglo-Saxon Petroleum (later Shell Tankers) as chief mate. In July 1942, his vessel, the 12100-dwt Donovania, had discharged a cargo in Lagos – no oil production there then – and headed for Trinidad. When the tanker was close to the island, U-160 sighted her, fired torpedoes that missed, but then scored a hit that caused the tanker to break in two and sink. Among the 41 survivors from the tanker’s sinking was Chief Mate Ron Richards who was later promoted to master. He retired as master of the Shell tanker Otina, known to Safmariner­s as Kuland.

I won’t divulge other details in this heart-warming story, laced with tragedy, but astute readers will note Little Nancy’s surname, who, similar to her mother, is also a “skipper’s daughter”.

Well worth a read!

 ?? | Internet Photograph ?? THE 1937-VINTAGE steamer Nailsea Manor in which 16-year-old Nancy Brooks, the master’s daughter, spent 7 months at sea. Her time aboard – happy as well as extremely tragic – is described in a delightful new book by renowned radio personalit­y and journalist Nancy Richards.
| Internet Photograph THE 1937-VINTAGE steamer Nailsea Manor in which 16-year-old Nancy Brooks, the master’s daughter, spent 7 months at sea. Her time aboard – happy as well as extremely tragic – is described in a delightful new book by renowned radio personalit­y and journalist Nancy Richards.
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