Car (South Africa)

Bike: BMW K 1600 B

BMW’S sizeable straight-six provides an interestin­g alternativ­e to the traditiona­l V-twin cruisers

- BY: Peter Palm

BMW knows a thing or two about building touring bikes. Wherever you go, you are bound to see more than a few motorcycli­sts chewing up the miles at high speed on a BMW. Usually, these will be 1 200 cm3 flat-twins – or even the older 900 or 1 000 cm3 versions – but, these days, if you like to blend some cruising with touring, you can add a few more cubic centimetre­s and four more cylinders, and go for something bigger (and heavier). The K 1600 B “Bagger” is one such bike.

Some may feel the 1,6-litre inline-six lacks the character of a V- or flat-twin, but there’s no denying its refinement. The engine’s noise characteri­stics reflect that and the massive exhaust pipes do a good job of silencing any six-cylinder sounds the engine generates. You really don’t hear much beyond what sounds a lot like gears and motors efficientl­y spinning.

Cranking the engine doesn’t even require you to remove the key from your pocket; simply press the black button for ignition and thumb the starter button. A reverse gear helps to manoeuvre the 337 kg bike out of any tight spaces by spinning the starter motor backwards and, after that, you have six forward ratios at your disposal. The gearbox is rather clunky, but BMW has added convenienc­e by allowing you to change gears without the clutch. The ECU detects your foot changing gear and momentaril­y cuts power, allowing you to keep the throttle open and shift before it restores the horses once the ratio has been selected. It’s quick and slick on up-changes, but not quite as effective when changing down.

The cockpit is a comfortabl­e place with bars and pegs set up in the style of a proper tourer, with no forward controls or boards. It features heated grips and even a heated seat – perfect for those cold mornings – and the screen is electrical­ly adjustable. I found the highest position was best for attacking the wind and providing some protection, although that does increase wind noise.

Instrument­ation is comprehen- sive, with an analogue speedomete­r and rev counter, digital fuel and temperatur­e gauges and readouts for air temperatur­e, tyre pressure, average or instantane­ous fuel consumptio­n, radio informatio­n, trip distances and cruise or road settings. A large rotary ring on the left bar toggles through menus, or tunes the radio, and a USB port is also safely hidden inside the right pannier. The latter is large enough to hold a full-face helmet and is ideal for touring.

During our test, fuel consumptio­n was around 6,0 L/100 km, but this would vary according to speeds ridden, both in the city and on the open road.

Talking of speed, the Bagger’s accelerati­on is immense; for a bike tipping our scales at 337 kg to reach 100 km/h in 3,56 seconds tells you something about this engine. With 118 kw on tap and just one narrow patch of rubber to transmit it, this is not a machine to be taken lightly, although suspension and throttle settings are adjustable, helping to dial things down a little.

TEST SUMMARY

The Bagger is an interestin­g motorcycle owing to that large six-cylinder engine. That is unusual in bike design and quite a talking point. It’s also comfortabl­e and capable of completing long trips with ease thanks to a big fuel tank.

To some, however, it lacks is a distinctiv­e character and, whereas smoothness and quietness are certainly virtues, the Bagger doesn’t quite have the swagger and attitude of traditiona­l American bikes from the likes of Harley-davidson, Victory and Indian.

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 ??  ?? clockwise from top left The taillamps neatly blend into the spacious panniers; the Bagger certainly does not lack ample lighting in front; the alloy wheels are nicely sculpted in black; the instrument­ation is comprehens­ive across digital and analogue displays.
clockwise from top left The taillamps neatly blend into the spacious panniers; the Bagger certainly does not lack ample lighting in front; the alloy wheels are nicely sculpted in black; the instrument­ation is comprehens­ive across digital and analogue displays.
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