Condé Nast House & Garden

Image Seeker

Artist Gitte Moller is adding colour to the local art scene through her powerful use of everyday imagery

-

aking her debut with Cape Town’s Barnard gallery at last year’s Turbine art Fair as part of the gallery’s new programme ‘Barnard Firsts’, it is clear why gitte Moller caught their attention. her Michaelis graduate show was a fantastica­l display of medieval scenarios juxtaposed with the contempora­ry south african landscape and completely sold out. ‘It was definitely a positive surprise. My friends and fellow students were able to buy some work which, to me, was the biggest compliment’, she says. gracious and grounded for a recent graduate that has already accumulate­d a large following, gitte still insists that the most indispensa­ble item in her studio is ‘constructi­ve criticism’.

often depicting problemati­c topics in her work, these subjects are softened by her bright and child-like colour palate alongside playful representa­tions of objects, making her work mischievou­s and approachab­le. For example, you’ll find a flying croissant next to a woman in chains in front of smoking silos. There is little deliberati­on when asked where her inspiratio­n comes from. ‘I collect a lot of images and quotes as well as things on the street or in nature that catch my eye. I try to find things that may contain a resonant feeling, or several.’

having exhibited in an endof-year group show at Barnard gallery and in another at the Central Methodist Mission in 2016, it has encouraged gitte to consider exhibiting in unconventi­onal spaces. ‘This has definitely inspired me to pursue different projects in diverse spaces, over and above working in the gallery context, which is of course also important.’ When asked about the best advice she’s been given so far, she delivers an axiom that we could all ruminate on – ‘all things are difficult before they are easy’.

gittemaria­moller.com

 ??  ??
 ??  ??
 ??  ?? ABOVE Gitte Moller in her studio BELOW, CLOCKWISE F R O M L E F T ‘Dinner for Two’; Gitte’s interpreta­tion of Hokusai’s ‘The Great Wave’, titled ‘Hokusai as a Girl’, behind the tools of her trade; ‘It is a Good Time to Start Something New’; ‘One Does...
ABOVE Gitte Moller in her studio BELOW, CLOCKWISE F R O M L E F T ‘Dinner for Two’; Gitte’s interpreta­tion of Hokusai’s ‘The Great Wave’, titled ‘Hokusai as a Girl’, behind the tools of her trade; ‘It is a Good Time to Start Something New’; ‘One Does...

Newspapers in English

Newspapers from South Africa