Condé Nast House & Garden

room with A view

The parterre garden at Fairholme has been reconceptu­alised with a lush planting of ornamental grasses and bulbs inspired by The surroundin­g views

- TEXT AND PHOTOGRAPH­S HEIDI BERTISH

As is true of most gardener’s gardens, there is a constant evolution. Not only alongside the sway of the seasons, but also of plant palette that ebbs and swells with plant yearnings or a crazed desire to turn an area on its head and start afresh. It’s in a gardener’s DNA and at Fairholme garden, the green gene runs deep. Home to plant specialist­s and nursery owners Duncan and Liz Henderson, it is their daughter, garden designer Mary Maurel, who laid the bones of the garden – and the newly conceptual­ised parterre that hovers above the elgin Valley.

‘From the beginning we decided that the areas closest to the house needed to be formal in layout,’ says Mary. And so the transforma­tion from inherited neglected garden to a landscape of interconne­cted garden rooms began – each a canvas for Duncan and Liz’s

‘I love the textures and the movement of the grasses. Up close it is far from perfect, but I love the natural feeling’

acclaimed collection of grasses, perennials and hedging plants grown in the Fairholme nursery.

The triangulat­ed space to the east of the house proved the most challengin­g. To detract from being drawn to the point of the triangle, Mary configured the space in such a way that fooled the eye. an axis was drawn from the front door of the house into the centre of the space where a sundial was positioned as bespoke focal point. ‘In any garden I design, structure is key,’ says Mary, who establishe­d it here with brick-edged gravel pathways and a planted parterre of low Myrtus communis hedges. Initially, heliotrope was massed within the spaces but was soon replaced by soft, pinkflower­ing Gaura lindheimer­i. ‘Whilst the gaura looked great in summer, we found it a bit overbearin­g in full flower and then desperatel­y bare in the winter.’ as such, they agreed to review the planting.

‘I knew it should be kept simple, and I wanted it to be more interestin­g than a mass planting, yet still have impact’

says Mary, who credits the inspiratio­n for the new planting palette to her assistant, eduard smidt. ‘eduard suggested we look beyond the garden at the view for clues. he was so right.’ The view is expansive blue skies, white orchards in blossom, the earthy tones of newly ploughed fields and densely planted wind breaks.

and so this area of the garden took on a new spin. grasses were used for the base layer and bulbs were selected for year-round interest, picking up on the translucen­t colours from the surroundin­g views. The result is a wonderful tension between the formality of the hedges and the ethereal quality of the bulbs and grasses that gently sway over the elgin Valley.

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