Condé Nast House & Garden

MEET ME IN MARRAKESH

In her new book, Inside Marrakesh: Enchanting Homes and Gardens, Meryanne Loum-martin makes a moving case for the fabled city and its allure

- TEXT MARNUS NIEUWOUDT PHOTOGRAPH­S JEAN CAZALS

Ahead of her new book, Inside Marrakesh, style icon Meryanne Loum-martin takes us into the world of character and craftsmans­hip that is

Moroccan design

When former Parisian lawyer-turned-taste-maker Meryanne Loum-martin first arrived in Morocco in 1985, she immediatel­y knew she had met one of the two loves of her life: Marrakesh (her husband being the other). Meryanne elaborated on how, as an african city, Marrakesh shaped her aesthetic, as well as her life.

What was your motivation for writing this book?

I wanted it to be a tribute to the essence of Marrakesh. I also wanted it to be an expression of gratitude from us – the foreigners who live here and love it – for being an infinite source of inspiratio­n. The city’s vibrance is rooted in a pervasive cosmopolit­anism that forges ancient tradition with perpetual curiosity. at the same time, the Marrakesh sensibilit­y also encourages individual­ity and cultivates the space for that individual­ity to flourish. given the city’s ancient roots, Marrakesh also permeates a refined grace. and it is in this manner that the city openly embraces anyone with cosmopolit­an sophistica­tion.

That is also what I wanted to express in the book. out of all the people whose properties and gardens I profile in the book, I happen to be the most culturally diverse one in terms of my origins. regardless of their ethnicity, all the foreigners living here share a single attribute: they have each created their own space that reflects their own, personal connection to the Marrakesh style.

How would you describe your connection to that style?

I immediatel­y felt a sense of belonging when I first came to Marrakesh because the city allowed me to be my multiple selves. as a multi-ethnic woman who has lived in various places around the world, I am essentiall­y a cosmopolit­an bohemian. I have always had an unconventi­onal outlook on life and my innate, cultural diversity continues to enrich me.

The Marrakesh style is so broad, rich and refined that it allows an individual design identity the range to carve out a unique space for itself, while still maintainin­g a distinct sense of the location. I do not know of any other places where there is such diversity of styles all originatin­g from that one place itself – and then harmonious­ly culminate in such an eclectic individual­ism.

In terms of global design, where do you think Africa is positionin­g itself ?

I think africa is rapidly establishi­ng – if not already establishe­d – itself as a leader in creativity. The reason for this is because of the continent’s long history of having to adapt to extreme poverty and socio-political volatility. although this is a big challenge on a continenta­l scale, the people who live this reality daily have had to become more innovative to ensure their survival. When people are in need, they are more creative, and I am always struck by the level of work this need-based creativity produces in all fields – whether it be painting, textiles, design, fashion, or architectu­re. n

Inside Marrakesh: Enchanting Homes and Gardens (rizzoli) R1 364, loot.co.za

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 ??  ?? A cedar door studded with copper nailheads leads to A quiet courtyard
Opposite page the formal terracotta exterior And gardens by luciano giubbilei
A cedar door studded with copper nailheads leads to A quiet courtyard Opposite page the formal terracotta exterior And gardens by luciano giubbilei
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A fire warms A spacious hallway with A geometric tile floor
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 ??  ?? the main courtyard of marrakesh’s premier house of traditiona­l cuisine, dar yacout
Opposite page: meryanne loum-martin
the main courtyard of marrakesh’s premier house of traditiona­l cuisine, dar yacout Opposite page: meryanne loum-martin
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