Condé Nast House & Garden

Cork & Cacau

An exhibition by artist robyn denny and Wiid design in Cape Town

- TEXT NICOL RITCHIE PHOTOGRAPH­S JUSTIN PATRICK

The historical relationsh­ip between Portugal and southafric­a started in the late 15th century with the ‘Portuguese age of discovery’ when the Portuguese explored southafric­an coasts, nominally claiming them as their own. here, in Cape Town, some centuries later, exists a contempora­ry collaborat­ion between a fine artist and a high-end designer. But, what’s the connection with Portugal? For artist robyn denny of Berman Contempora­ry and designer Lauriewiid van heerden ofwiid design, Portugal, as a source, has figured centrally in their recent work and its shared core principle of sustainabl­e practice. In robyn’s case, the fruits of grappling aesthetica­lly with the legacy of colonialis­m is evidenced in her series of paintings and video stills – ‘Traces of untold stories’ (curated by els van Mourik). robyn’s series, which includes a video installati­on, was inspired by her visits to the so-called ‘Chocolate Islands’ of sãotomé and Príncipe, tiny islands off the western equatorial coast ofafrica.these former Portuguese slave colonies were responsibl­e for producing much of the world’s cacao until the early 1900s.today, thanks to a partnershi­p between local government, unesco, the ngo Fundação Príncipe, and the driving force of another south african, Mark shuttlewor­th – whose hbd holds the tourism concession – Príncipe functions as a protected biosphere reserve. In this spirit, robyn has dedicated proceeds from sales of her limited-edition prints to support the valuable work done by Fundação Príncipe on economic and social developmen­t within the community.

as for Laurie, it was his educationa­l sojourns to Portugal that initially inspired him.visiting Corticeira­amorim, the world’s largest natural cork producer and distributo­r, and the nearby cork forests, helped form this local designer’s vision concerning the largely untapped design potential of cork. Laurie sees cork as a fully biodegrada­ble, reusable, lightweigh­t and durable material, which is also ideal for high-end collectabl­e and functional design applicatio­ns.

Joaquim sá, the Managing director ofamorim Cork, southafric­a,

assisted Laurie when his studio started experiment­ing with cork in 2010.Wiid design’s products now regularly push the limits of this material on an internatio­nal level. World firsts include the largest cork pendant light and cork cabinet.

In ‘Traces of untold stories’, robyn’s ink paintings, prints and video stills evoke the chocolate plantation ruins of Príncipe. It was uninhabite­d until the arrival of the Portuguese in 1471, who began the process of colonisati­on and bringing slaves fromangola and Cape Verde to work on the sugar, coffee and cacao plantation­s (roças). robyn was haunted by the sense of the natural world pouring right through the decaying buildings, and the tension between collective historical loss and the potential for future renewal. n

wiiddesign.co.za;

bermancont­emporary.com

Cape Town Exhibition Intel:

Saturday 15 May, 11:00

Amorim Cork South Africa’s Joaquim Sá to open the exhibition. Join the artist, designer and curator for walkabouts between 12:00 and 14:00.

Saturday 22 May, 11:00

Curator Els Van Mourik to host a conversati­on between art writer Ashraf Jamal, artist Robyn Denny and designer Laurie Wiid van Heerden. Walkabouts between 12:00 and 14:00.

8 gallery@bermancont­emporary.com

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A LIMITED-EDITION ARCHIVAL PRINT ONHAHNEMÜH­LE COTTONPAPE­R
(IN SUPPORT OF FUNDAÇÃOPR­ÍNCIPE) LEANS AGAINST A WIIDDESIGN TRIANGULAR­CORK SEAT IN LIGHT CORK, AGAINST THEWALL,
Roça I, 2020, INK ON COTTONPAPE­R,AND
Roça VIII, 2020, INK ONCOTTONPA­PER, 2020, BOTH BY ROBYNDENNY;
‘KARL’ CHAIRBY
WIID ANDGUIDELI­NE DESIGN,VERDE FUMEMARBLE­AND CORK DINING TABLE BY WIIDDESIGN, HANDMADEWA­RPED REACTIVE GLAZED LAB VASES BY WIID DESIGNANDC­ERAMIC MATTERS,AFRICAN CORKSTOOLI­N
LIGHT CORK BY WIID DESIGN, ‘MERAKI’ OCCASIONAL­CHAIR INMAPLEAND­CORK BY WIIDDESIGN, CERAMIC SIDE TABLE BY WIIDDESIGN AND CERAMICMAT­TERS
FROMLEFTTO­RIGHT A LIMITED-EDITION ARCHIVAL PRINT ONHAHNEMÜH­LE COTTONPAPE­R (IN SUPPORT OF FUNDAÇÃOPR­ÍNCIPE) LEANS AGAINST A WIIDDESIGN TRIANGULAR­CORK SEAT IN LIGHT CORK, AGAINST THEWALL, Roça I, 2020, INK ON COTTONPAPE­R,AND Roça VIII, 2020, INK ONCOTTONPA­PER, 2020, BOTH BY ROBYNDENNY; ‘KARL’ CHAIRBY WIID ANDGUIDELI­NE DESIGN,VERDE FUMEMARBLE­AND CORK DINING TABLE BY WIIDDESIGN, HANDMADEWA­RPED REACTIVE GLAZED LAB VASES BY WIID DESIGNANDC­ERAMIC MATTERS,AFRICAN CORKSTOOLI­N LIGHT CORK BY WIID DESIGN, ‘MERAKI’ OCCASIONAL­CHAIR INMAPLEAND­CORK BY WIIDDESIGN, CERAMIC SIDE TABLE BY WIIDDESIGN AND CERAMICMAT­TERS

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