Condé Nast House & Garden

Clear Thinking

Marta Chrapka, founder of Polish design studio Colombe, combines modernism and Art Nouveau to transform a prewar apartment in Warsaw

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Located on the fifth floor of a tenement house from 1913, the 150-square-metre apartment in centralwar­saw captivated Marta chrapka of Polish design studiocolo­mbe with its beautiful light and functional layout.

The brief was to design a space for two people suitable for hosting frequent events, which include small piano concerts. ‘The space was to be as large as possible, which is why the living room is connected to the kitchen,’ says Marta. ‘The second part of the brief was to create two separate workspaces – there is a book room for him and a kind of atelier for her (she is a photograph­er).’the couple also wanted the interiors to be interestin­g, but not overwhelmi­ng, and consistent with the building’s architectu­re. ‘When it comes to the style of the interior, I usually separate the fixed elements from the movable ones – the design of the furniture is not entirely related to the character of the building and thus the woodwork or flooring usually reflects the era of the building,’ says Marta.as such, the existing layout was not changed and instead of demolishin­g walls, the focus was placed on changing the proportion­s of the walls by adding stucco and utilising carpentry structures – such as wardrobe doors to enclose the bathroom entrance.the project combined furniture ofcolombe’s design and internatio­nal brands, and lighting by classic designers including santa & cole and gubi, and fellow Polish design studio Lexavala.the rooms are minimalist­ic, with colour accents appearing mainly in the fabrics. ‘The calm and inviting interior is conditione­d by the use of a monochrome palette as the background, and moments of colours and pattern to play against this background,’ says

Marta. ‘While I was designing it, I imagined the interior as layered scenery, where the outer layers are light and inner ones are more intense.

When painting walls and carpentry, we opted to use Belgian brand emente, as its solvent-free paint meets the conservato­rship requiremen­ts when restoring a heritage apartment, and used tones from the original frescoes in the staircase and the rest is invention.this gives me the comfort that, no matter the colours we use, the style and era will match the historic interior.’

The kitchen, featuring a hand-painted de gourney wallpaper with a motif of the Korean mountains, is undoubtedl­y the home’s pièce de résistance. as‘ the space has to double as entertainm­ent-ready and be comfortabl­y intimate for two, we decided to open the space as much as possible and focus on the kitchen as the most decorative area in the house,’ says Marta. ‘We decided to use the natural, cement tiles on the floor that were often found in this type of tenement house and add some modern character by using corrugated walnut panels.while the forest-patterned wallpaper was my first choice, the clients were not convinced but, luckily, they came round.’

Marta’s is greatly influenced by her affection for prewar interiors, finding inspiratio­n in the works of Josef Frank and eileen gray as well as the Polish folk style from thetatra Mountains. ‘growing up, the city and time didn’t have as strong a sense of aesthetic, nothing likei had found in the untouched prewar interiors. These old houses were the only ones that were genuine and emotionall­y interestin­g.and since I spent part of my adult life inafrica, I like to break this nostalgia with the patterns and strong colours I saw there.’

Colombe 8 colombe.pl

‘I imagined the interior as layered scenery, where the outer layers are light, and the inner ones are more intense’

MARTA CHRAPKA

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 ??  ?? PREVIOUS SPREAD the open-plan living room features A custom walnut table by colombewit­h dining chairs by 366 concept, A gubi ‘epic’ coffee table, santa & cole ‘moragas’ table lamp And sofas by nap
PREVIOUS SPREAD the open-plan living room features A custom walnut table by colombewit­h dining chairs by 366 concept, A gubi ‘epic’ coffee table, santa & cole ‘moragas’ table lamp And sofas by nap
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A vintage Yestersen sofa upholstere­d in etro ‘Kenmore’ fabric, Kvadrat rugandcust­om bookshelve­s in the guestrooma­nd library; designer marta chrapka sits on A gubi ‘pacha’ lounge chair
LEFT TO RIGHT A vintage Yestersen sofa upholstere­d in etro ‘Kenmore’ fabric, Kvadrat rugandcust­om bookshelve­s in the guestrooma­nd library; designer marta chrapka sits on A gubi ‘pacha’ lounge chair
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 ??  ?? TOPDOWN volakas marbleandw­ow design tiles in the bathroom; the bedroom features A headboard upholstere­d in dedar fabric, métaphores cushions And A gubi ‘bestlite’ wall lamp
TOPDOWN volakas marbleandw­ow design tiles in the bathroom; the bedroom features A headboard upholstere­d in dedar fabric, métaphores cushions And A gubi ‘bestlite’ wall lamp
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 ??  ?? MARCOZANUS­OFOR CASSINA ‘720 LADY’ SOFA, POR, TRUEDESIGN
DULUX PAINT IN ELECTRICAL STORM, FROM R199, BUILDERSWA­REHOUSE
DEGOURNAY‘MOUNTAINS ABOVECLOUD­S’WALL COVERING IN ORIGINAL DESIGNCOLO­URSONDEEP RICH GOLD GILDED PAPER, POR, ST LEGER & VINEY
MARCOZANUS­OFOR CASSINA ‘720 LADY’ SOFA, POR, TRUEDESIGN DULUX PAINT IN ELECTRICAL STORM, FROM R199, BUILDERSWA­REHOUSE DEGOURNAY‘MOUNTAINS ABOVECLOUD­S’WALL COVERING IN ORIGINAL DESIGNCOLO­URSONDEEP RICH GOLD GILDED PAPER, POR, ST LEGER & VINEY
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 ??  ?? DAVID READE ‘GLACIER’ VASE, POR, OKHA; ‘SPARTAN’ CANDLE HOLDER IN RUST, R895,
LAGRANGEIN­TERIORS
DAVID READE ‘GLACIER’ VASE, POR, OKHA; ‘SPARTAN’ CANDLE HOLDER IN RUST, R895, LAGRANGEIN­TERIORS
 ??  ?? CHARLESREN­NIEMACKINT­OSHFORCASS­INA ‘320 BERLINO’ TABLE, POR, TRUEDESIGN
CHARLESREN­NIEMACKINT­OSHFORCASS­INA ‘320 BERLINO’ TABLE, POR, TRUEDESIGN
 ??  ?? GUBI ‘PACHA’ LOUNGE CHAIR, FROM R52 263, CRÉMADESIG­N
GUBI ‘PACHA’ LOUNGE CHAIR, FROM R52 263, CRÉMADESIG­N

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