Daily Dispatch

Libode artist off to Paris

Ancestral rituals

- ZIPO-ZENKOSI NCOKAZI MTHATHA BUREAU ziphon@dispatch.co.za

A Libode-born fine artist, Lwandiso Njara, has a shot at gaining entry into internatio­nal markets after being selected for a three-month artist’s residency in France.

Speaking to the Daily Dispatch, Njara said he hoped to inspire young people from his Qandu village who, through his story, would know that it was possible to attract an internatio­nal audience, even if one had a rural background.

He will leave for France in

July.

“Everyone is excited almost as much as I am and that makes me happy. This opportunit­y will help me get more exposure and since I will not be taking any work with me, I am looking forward to just being influenced and inspired by the new environmen­t and producing new work there,” he said.

Njara, 31, identifies as a sculptor although he draws and paints as well.

He describes his work as centred around the contradict­ions encapsulat­ed by his Catholic education and Xhosa ancestral rituals. Through his pieces, he explores identity constructi­on, spiritual awakening and developmen­t inspired by his boyhood years in rural Transkei.

Njara’s invitation to France was through a collaborat­ion between the Southern African Foundation For Contempora­ry Art (Saffca) and the French Associatio­n of Contempora­ry Art Support of South Africa (AFSACSA).

The aim of the collaborat­ion and residency is to support, nurture and promote the visual arts and artists of southern Africa and to assist them in linking local to global.

Njara holds a B-Tech (fine arts) from the Tshwane University

I always had passion for art. I was a child who always used to draw

of Technology. He says he was grateful for the invitation because the art industry was communal and collaborat­ive, and such initiative­s were the best way to gain access to global markets and audiences.

“Our industry is not difficult to break into but it is all about the right exposure. In order to get [that one break you must] not isolate yourself and work alone. Our art industry in SA is growing but you need collaborat­ions,” said Njara.

He said he would also spend the three months in France to preparing for his solo exhibition. “Art has always been something I was passionate about. I can remember being a child who always used to draw.

“So I went and studied just that.

“My parents were a bit wary because ‘artists are poor’.

“I believe if you focus and know what you want you can make it because there are many opportunit­ies,” he said.

Pierre Lombart, one of the founding directors of AFSACSA – an associatio­n located in Saint-Émilion in France, responsibl­e for developing in Europe the actions of Saffca – said every year the organisati­on invited four SA artists to France.

In addition, four French artists come to SA as part of an exchange programme.

“What is really interestin­g is the multi-cultural conversati­ons that happen through art.

“We create this opportunit­y not for tourism, but for the artist to really explore their talent and for the world exposure. There is no money to be gained but this is an opportunit­y that definitely adds to their resumé and portfolio,” Lombart said.

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 ?? Pictures: SUPPLIED ?? RECOGNITIO­N: Lwandiso Njara pictured here working on some of his sculptures. Below is the end product of his artistic labour.
Pictures: SUPPLIED RECOGNITIO­N: Lwandiso Njara pictured here working on some of his sculptures. Below is the end product of his artistic labour.
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