Daily Dispatch

New African films challenge Hollywood stereotype­s

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Producers of two African-made films premiering on Netflix this month believe their work will show there’s subscriber appetite for movies that go deeper than the Hollywood stereotype­s that often make African viewers groan.

Subscriber­s to the world’s largest streaming service can now watch Poacher , a Kenyan drama about elephant poaching and ÒlòtŸré, a Nigerian thriller about a journalist whose world falls apart after she goes undercover as a sex worker.

The films avoid the simplistic portrayals that viewers in Africa often resent, the producers say.

Netflix has begun screening more content produced in Africa, and in June released romantic comedy Cook Off, Zimbabwe’s first offering on the streaming service.

Poacher , the first Kenyan film released on Netflix, uses drama to show the lives of everyday people involved in poaching.

“It ’ s very simple to point fingers,” said Davina Leonard, who co-wrote, co-produced, and stars in Poacher . “When you start a drama, now you’re looking at the people and their motivation­s.”

The film’s other star, Brian Ogola, hopes Poacher will spur people to action. “It ’ s still not enough if we want our grandchild­ren to see some of these animals in their natural habitat.”

It ends with a statistic from the World Wildlife Foundation: if current trends continue, elephants will be extinct by 2040.

The other movie, ÒlòtŸré, joins a host of Nigerian films on the platform, which has nearly 193 million subscriber­s globally.

ÒlòtŸré was shot on the gritty streets and in rundown homes of Lagos. It tells the story of impoverish­ed sex workers lured into being trafficked overseas. Human Rights Watch ranks Nigeria a top origin country of traffickin­g victims in Europe and elsewhere.

In one scene, a businessma­n drugs and rapes an undercover journalist at a party. In another, sex workers endure voodoo initiation scaring them into loyalty to pimps traffickin­g them to Italy.

“I am very happy that this conversati­on has started so that the government will sit up to their responsibi­lity, so that the agencies that are tasked with fighting human traffickin­g in Nigeria will maybe clamour for more funding or sit up and do better,” said coproducer James Amuta.

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