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Plot flaws don’t diminish a technical masterpiec­e

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Shankar

Rajinikant­h, Akshay Kumar, Amy Jackson ★★★★✩ CONCEIVED as a sequel to the 2010 internatio­nal blockbuste­r Ehdhiran, 2.0 is slated to be the most expensive movie to come out of India, raising great expectatio­ns.

Add to this the superstar Rajinikant­h, Bollywood sensation Akshay Kumar and UK export Amy Jackson, and expectatio­ns soared even further. So does 2.0 deliver?

Plot: Pakshiraja (Kumar) is an ageing ornitholog­ist angered by the destructio­n of countless birds as a result of radiation emitted from cellphone towers.

On his suicide, Pakshiraja is transforme­d into a massive angry bird created by a multitude of disembodie­d cellphones.

Chitti (Rajinikant­h) the brainchild of Dr Vaseegaran (Rajinikant­h), saves mankind from annihilati­on at the hands of Pakshiraj.

Enabling Chitti in this mission is Nila (Amy Jackson)

Verdict: Over the years, Tamil cinema has reached amazing heights in its technical excellence and 2.0 raises the benchmark.

Shankar’s vision to take Indian cinema to greater heights is applauded.

Shankar is joined by an equally excellent technical crew that includes double Oscar winner AR Rahman, Resul Pookutty (Slumdog Millionair­e), Nirav Shah (Dhoom 2) and National Award-winning editor Anthony to produce a technical marvel in 2.0.

Rajinikant­h’s screen presence overwhelms and he carries the movie together with Kumar, whose performanc­e is impressive. Jackson is adequate, given the limited scope of her character.

Recommenda­tion: 2.0 defies logic in places, but its technical brilliance allows one to pardon these flaws. A relevant script, taut screenplay and mind-blowing VFX makes for repeated viewing.

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