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Film-maker Yadav tackling social conditioni­ng and generation divide

- | IANS ARUNDHUTI BANERJEE | IANS

ACTRESS Niti Taylor, pictured, has launched a personal app, and says she will be using the platform to address issues such as trolling and body shaming.

Niti launched the Niti Taylor Official App in collaborat­ion with New York-based tech firm EscapeX.

“I have always enjoyed keeping in touch with my fans and interactin­g with them, but with this, we take it one step ahead since it’s so personalis­ed,” Niti said.

“I’m hoping to keep it very interactiv­e. I will be using this platform to address some issues about social media trolling and body shaming too,” she added.

Niti has featured in shows like Pyaar Ka Bandhan, Bade Achhe Lagte Hain and Kaisi Yeh Yaariyan. WHETHER it was about focusing on the mental conditioni­ng that creates gender inequality in Parched or highlighti­ng how technology is creating a generation gap with her latest project Rajma Chawal, film-maker Leena Yadav treats all her movies as opinion pieces on topics that matter to a progressiv­e mind.

As many women are finding a voice against patriarchy, Yadav says responsibl­e action is required to continue the change.

Asked about the constant transforma­tion in society around gender equality, Yadav said: “Actually, Parched has come from the place of social conditioni­ng of men and women rather than talking about gender equality.

“The way we are conditione­d based on our gender is causing the discrimina­tion… you understand that right?

“Who is the first teacher of a child? It is his/ her mother. Some of the biggest gatekeeper­s of patriarchy are women.

“It is equally difficult for a man to live in the society with a certain mind conditioni­ng when he realises he is infertile. One of the reasons the character of Manoj in Parched is so violent is that he realised that he is infertile.

“Imagine the struggle and frustratio­n they go through because they are taught masculinit­y in a certain way. Same things happen to women as well… so mind conditioni­ng is the villain to blame.”

Yadav considers the influx of female filmmakers and technician­s into the film industry as a positive sign.

Talking about how men are getting sensitised courtesy of the #MeToo Movement, she said: “Since shaming the victim is not there anymore, it is great to see how so many women who suffered for ages are finding their voice... It is a changing time. It is positive. But we have to be very responsibl­e in this transforma­tion, otherwise the whole movement can be derailed.”

Her film Rajma Chawal, an Old Delhi-set drama starring Rishi Kapoor, released on Netflix on November 30.

As the film is set in Delhi and revolves around the generation gap between two people, the city played an important role in the narration. “You see, the city itself has its own generation gap between Old Delhi and New Delhi. So after hearing the story, when we decided to develop the script, we used the generation­al gap in a manner that fits the mode of the narration. Very interestin­gly, Chandni Chowk is a place that embraces people and celebrates inclusiven­ess.

“Though the place was crowded and I was concerned about the shoot logistical­ly, the locals and my team were so good that we ended up making the film together,” she added.

 ??  ?? FILM-MAKER Leena Yadav says some of the biggest gatekeeper­s of patriarchy are women.
FILM-MAKER Leena Yadav says some of the biggest gatekeeper­s of patriarchy are women.

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