Financial Mail

PIRATES ARE GETTING SMARTER

Fake ‘luxury goods’ are no longer so easy to spot — and are reaching more and more customers

- Jeremy Maggs

One in three luxury items submitted for sale to a leading high-end merchandis­e retailer which deals in new and used goods are counterfei­t, and this is having a detrimenta­l impact on genuine brands.

While the sale of fake goods is not a new problem, the scale of it is. The total worldwide value of counterfei­t and pirated goods hit $3-trillion in 2022. This is triple the amount reported in 2013, according to the Organisati­on for Economic Co-operation & Developmen­t.

While it’s difficult to quantify the problem locally, Michael Zahariev, co-founder of luxury reseller and authentica­tor Luxity, tells the FM that among the most counterfei­ted brands are Michael Kors, Gucci and Louis Vuitton, based on their growing appeal to middle-upper market segments.

While most consumers think they’re adept at identifyin­g counterfei­ts, he says about 70% have unknowingl­y bought a fake.

The proliferat­ion of what he calls triple A-grade fakes is largely because scammers peddle them online. Websites account for 41% of these sales, followed by online marketplac­es (32%) and social media sites (28%).

“Most people who buy from a flea market know they are getting a fake, but many of those buying through online channels such as Instagram aren’t aware and are being duped.”

Social media analytics firm Ghost Data identified about 26,000 active counterfei­ter accounts operating on Facebook between June and October 2021, and more than 20,000 active counterfei­ter accounts on Instagram. WhatsApp has been the preferred communicat­ion channel for crooks to reach and talk with their customers, with 75% using the platform.

Among mass-market brands, Nike, Levi’s and adidas are the most copied.

Damage to original brands is enormous, Zahariev says, in terms of revenue loss and integrity. “When sales go to the illicit market the knock-on effect is that brands lose out on sales due to counterfei­t products costing significan­tly less. It can also be damaging as the appeal for the brand is based on its exclusivit­y and brands cannot directly control counterfei­t market volume, which lowers appeal.”

Brands, he says, must also divert resources from important projects and redirect them to fight counterfei­ters.

Zahariev says luxury brands are constantly looking for new ways to prevent counterfei­ts and to authentica­te bags.

Louis Vuitton has started placing chips with encrypted informatio­n on each bag to confirm authentici­ty as well as other item-specific data. He says many brands are looking to use blockchain technology to help with authentica­tion.

South Africa is an aspiration­al market and this leads to a high demand for status and luxury goods, and in turn counterfei­t goods, he says.

With Instagram and other online shopping options becoming available, as well as better counterfei­ts, more middle-upperclass people and even celebritie­s are engaging in the counterfei­t market because it allows for cheaper access.

But with the growth of online shopping many consumers are being fooled into paying close to retail prices for sought-after items such as Chanel or Birkin bags offered by counterfei­ters running sophistica­ted systems.

Zahariev says customers need to be aware of offers with no returns or exchanges because swindlers don’t allow these. And, “if the price looks too good to be true, it probably is”.

While the prices of triple A-grade fakes might not be as high as the genuine item, they’re high enough to make someone believe they’re forking out a significan­t amount for what could be an original. Often shoppers will be fed a story about why it’s a bit cheaper. Counterfei­ts generally resell for up to 35% of the original price, though there are exceptions, with some sophistica­ted counterfei­ters charging up to 80%.

Zahariev says counterfei­ters might also tell customers there’s a two- or threeweek waiting list. This is because they’re importing copies from China on order and not from original suppliers, as buyers are told.

In the past, a common way to catch counterfei­ts was by checking the material and stitching on an item. This is no longer the case, he says, because crooked sellers have got better over time at getting this right. “Nowadays, to the untrained eye, it can be close to impossible to tell if an item is counterfei­t or not.”

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