Glamour (South Africa)

Designer focus Meet Not Good Enough’s Lebogang Mokgoko

Meet Lebogang Mokgoko, the Pretoria-based photograph­er turned designer and creative director of his own brand Not Good Enough, a design and consulting company that specialise­s in contempora­ry apparel and home designs. Here, he talks the future of African

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Glamour: What made you want to venture into the industry?

Lebogang Mokgoko: I think, in essence, I’m in love with the art of storytelli­ng and the amount of freedom the industry gives you to create works of art that other individual­s can relate to and find appreciati­on for. G: Have you always had a passion for design? LM: For as long as I can remember, I’ve always been a visual person; taking a particular interest in how something looked. It was only when I attended Pro Arte Alphen Park, a high school in Pretoria that specifical­ly focuses on the arts, that I started to get into art and fashion, and studying the likes of Martin Margiela, Alexander Mcqueen, Yohji Yamamoto and Hedi Slimane. Learning about these ‘gods’ of the industry inspired me to create and share stories of my own so that another kid with a similar background and upbringing could get inspiratio­n and create their own visions, too.

G: What came first, design or photograph­y?

LM: I can’t picture one without the other, they work hand-in-hand. I grew up with Hedi Slimane (who is both a fashion photograph­er and designer) as an influence, so that discipline was so instilled in me that when I got to LISOF, I had to fight to do both mediums at the same time because the curriculum wasn’t set up in a way to do both. Yes, designing is the process of making something, but I also believe it’s a visual thing. You have to have an understand­ing of both worlds in order for your work to reach a certain level of quality. G: What is your aesthetic when it comes to capturing an image? LM: I don’t capture moments, I create them. I want to provoke an emotion, good or bad. In order to do that, I’ll play around with colour, texture and pushing gender-neutral ideas. G: How do you feel about global fashion in 2018? LM: Fashion is in a weird space right now. There’s an unspoken ‘war’ between fast fashion and the art of fashion. It has really become more about the hype than the actual clothes, which I find very sad. G: What are your thoughts on African fashion of the past while moving forward into the future? LM: It’s an exciting time for African fashion because of all the doors that are opening up for African brands. In the past, we were still searching for our voices and creating collection­s based on what others assumed was ‘African’. Now, we’re really questionin­g the African identity and are slowly beginning to control the narrative. G: In this competitiv­e industry, how are you making your mark? LM: By creating garments that speak to a time beyond now, not those following a trend.

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