Glamour (South Africa)

R is for Rhonda

The eldest daughter of legendary singer Diana Ross could’ve easily rested on her mom’s wings. Instead, singersong­writer, actress and producer, Rhonda Ross is building her own formidable brand.

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Musician and actress Rhonda Ross is building her

own formidable brand

It’s no easy feat for anyone born into a family of greats to step out and create a separate identity. And it was no different for Rhonda Ross, who is the daughter of two icons – Diana Ross and Motown Records founder Berry Gordy. “There are, as you can imagine, many preconceiv­ed expectatio­ns of who I am,” confesses the star, who is refreshing­ly

open. “My challenge has always been to discover and display my true authentici­ty, to make sure my relationsh­ips are honest and real, and to create my art from a pure and grounded space.”

Rhonda’s demeanour is regal, but what’s even more striking is how she owns her truth. “My relationsh­ips are grounded and my art is my own. It comes from my experience­s in life – a black woman, a mother and a seeker of spirituali­ty. My art, and my life, is true to who I am.”

Naturally, we’re curious to uncover the layers that make up this alluring queen.

FIRST THINGS FIRST…

My spiritual connection to my source comes first – I do a lot of meditating. My health comes a close second. I eat well and I drink almost only water – and a lot of it. No matter what, I go to bed early and ensure I get enough sleep.

My next priority is my husband, Rodney Kendrick, and our nine-year-old son, Raif-Henok. My husband and I both have artistic careers that require time to write, rehearse, record and prepare for performanc­es. And recently, our son, who’s also a performer, has begun to receive requests.

I think it comes down to priorities. Spirituali­ty and health come first because, without those, I would have nothing to give my family. I do my best to be cognisant of and present for the depth and truth of our relationsh­ips. Only when I feel my relationsh­ips are stable and grounded do I shift my attention to art.

If I had to choose between spending time with my son and writing a song, my son would win every time. However, I’ve found that if I focus on the important things first, my career has a tendency to follow suit.

MY MAMA SAID…

That it’s nobody else’s responsibi­lity to make me happy, which means I don’t have to control other people’s behaviour – I can let them be who they are and I can let them off the hook more easily. I can offer more grace, forgivenes­s and understand­ing. And in return, I can find my own happiness and joy, no matter what other people are doing. We have so much more control over our own happiness than we give ourselves credit for. I write about this in many of my songs. I believe the function of my art is to share this message of selfempowe­rment.

MY ROLE AS A STORYTELLE­R IN THE PROTECTOR OF GODS FILM…

In both my writing and my performanc­es, I’m a storytelle­r. Stories give context to our lives. They manifest our strengths and our power and remind us we’re not alone in our struggles and difficulti­es. I’ve told these stories throughout my career, via my music, but I also have a background in theatre, TV and film, and an honours degree in African American studies, focusing on black women’s literature. When black women’s stories are told, it has a direct impact on how we’re seen by the outside world and how we see ourselves.

I was thrilled when Kameko Tarnez invited me to be a part of Protector of the Gods, not only as an actress but also as a producer. It fits perfectly with the stories of empowermen­t I enjoy telling. Protector of the Gods is an Afro-futuristic tale of ancient Egypt. In this re-telling, however, the stories of three of the female pharaohs are at its centre. It’s powerful stuff.

I’M HERE FOR KING THA…

I’ve recently discovered Thandiswa Mazwai: what a force! Her voice sounds more like an instrument­al, and her deep and honest presence in the moment allows each note to penetrate and reverberat­e in the listener’s spirit. It’s a special type of alchemy. There aren’t many of us doing this type of work, so it’s important I make time to watch her on stage whenever I can.

THE WOMEN ON MY RADAR DURING WOMEN’S MONTH…

I’ve read several women’s biographie­s this year, starting with Michelle Obama’s Becoming and ending with Shonda Rhimes’ Year of Yes. I found both books incredibly insightful and inspiring because they reminded me that our journey is never finished – no matter how much success you’ve achieved, there will always be new challenges and mountains to climb.

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Words by thobeka phanyeko
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