Grocott's Mail

Standard Bank committed to NAF despite pulling out of Jazz Festival

-

BY SIYAMTHAND­A PONGCO AND NAOMI GREWAN

Standard Bank announced shortly before the start of the National Arts Festival (NAF) that they would be pulling out as the main sponsor of the National Jazz Festival.

The withdrawal of funding undoubtedl­y dampened some of the bunting, glitz and ‘gees' previously associated with the jazz festival. And this year, some performers have played their hearts out to tiny audiences.

Despite this, the 2022 jazz program has an impressive lineup of national and internatio­nal acts, and NAF CEO Monica Newton was upbeat about future sponsorshi­p. “Some of the wonderful opportunit­ies for branding that come with big corporate sponsorshi­ps [are]not necessaril­y on our side this year, but we're hoping that the work speaks for itself,” she said at a media briefing on 27 June.

Preparatio­ns for this year's Festival were complex. The country's economy is profoundly challenged by state capture, Covid-19 and unpreceden­ted load shedding levels. “Maybe the Festival doesn't have all the glitz, glamour, and size it might have had in the past. But NAF's main thing is the programme. That's the core of what we do,” she said.

“It takes a village to raise the Festival – a huge family that makes the NAF. And we're always open to discussion­s and looking for opportunit­ies to find additional supporters and partnershi­ps. As Standard Bank steps out as the main sponsor of the jazz space, there's a real opportunit­y for somebody new to step into the space and for us to make the circle bigger – that's an exciting opportunit­y,” Newton said in an interview with Cue.

“We can hope for the next NAF that the Jazz Festival gets a level of investment on par with the talent exhibited by the performers.”

Standard Bank will continue to sponsor the Ovation Awards and the Young Artists Awards. Newton said the National Jazz Festival was committed to inclusivit­y and youth involvemen­t. National Jazz Festival curator Alan Webster has involved his jazz artists with youth developmen­t programmes with young musicians. “So those kids are working with some of the best local and Internatio­nal Jazz musicians,” Newton said.

In addition, National School's Festival participan­ts have attended jazz performanc­es and workshops.

NAF funding

Along with the Eastern Cape Province and the Department of Sports, Arts, Recreation and Culture (DSRAC), Standard Bank is still one of the presenting sponsors. But, there are also many other sponsors, including Eastern Cape Parks and Tourism, the ECDC, and the Sarah Baartman District Municipali­ty. “There are a diversity of funding sources [for the NAF]– everybody contribute­s in whatever way they can. We also have sourcing partners where, for example, we may get a discount for something, or somebody may provide us with equipment for particular kinds of acknowledg­ements,” she said.

But, about 60 per cent of current NAF funding is sourced from the Government. “Everybody else – including corporates – come in with the balance. And of course, we make our revenue as well, in a modest way,” Newton said. “We'd like to see a more even frame – more of our revenue, more corporate sponsorshi­p, and more internatio­nal collaborat­ion – because, in truth, the Government has so many other priorities.

“Each of those government sponsors comes on board with particular objectives. Corporate sponsors' funding largely comes from marketing and communicat­ions budgets – they are looking for a hard return on investment, brand alignment, building awareness and target audiences. What corporates are most after is a brand associatio­n – to create partnershi­ps, we essentiall­y create properties, like the Village Green, Jazz Festival, etc.”

“So the Festival is always balancing those kinds of objectives. The partnershi­ps we're looking for are complement­ary because we'd tear the Festival apart if everybody had differing or contradict­ory objectives,” she said.

NAF and the local economy

Festival makes a sizable contributi­on to the local economy. While local businesses do not have the budgets to be headline sponsors, they contribute to Festival-goers' Axperience of the city.

“Local businesses can ask, ‘Is there a cost efficiency that people can go away?'

“Will festival-goers go away saying, ‘You know what, that was a fantastic time – the food was terrific, the guest house I stayed in was incredible, everybody was so friendly.'That's the contributi­on we get from local businesses. It is less about a cash contributi­on to NAF but more about being part of the experience.

The virtual NAF

NAF is committed to keeping its digital platforms alive. “It's a more modest program this year because the focus was very much about being back live. But, we had 156,000 people through our website over the last two years. That's an engaged and interested audience. We would be foolish if we abandon such a platform,” Newton said.

Several works were live-streamed this year, including Hamlet and Moya. “It's an opportunit­y to introduce people to the Festival. But what was also amazing last year is that we had a simultaneo­us broadcast of a play produced at the Reykjavik Fringe Festival.”

So much potential.

 ?? Photo: Steven Lang ?? National Arts Festival CEO Monica Newton.
Photo: Steven Lang National Arts Festival CEO Monica Newton.

Newspapers in English

Newspapers from South Africa