In Flight Magazine

Q&A WITH PAINTER SHARON RUTH MOSES

Q&A with Painter Sharon Ruth Moses

- { TEXT: SHANNON CORREIA | IMAGES © SHARON RUTH MOSES }

SHARON RUTH MOSES IS A FINE-ART GRADUATE AND PAINTER. HER ARTWORKS FOCUS ON IDENTITY AND GAZE, MERGING TRADITIONA­L AND DIGITAL ART FORMS.

Sharon Ruth Moses has earned her spot in the Turbine Art Fair 2018 RMB Talent Unlocked Artist Career Developmen­t Programme and will be exhibiting her artworks at theTurbine Art Fair this July. Moses also has a studio exchange for the rest of the year, at One Eloff, Joziburg Lane in Johannesbu­rg, where visitors can expect to see experiment­al, artworks. InFlight recently caught up with her to learn more about her artistic process. InFlight (IF): Describe your artistry in three words. Sharon Moses (SM): Minimal. Incongruou­s. Bold.

IF: What do you wish to convey through your focus on portraits, and issues of identity and gaze?

SM: There is always a sense of discomfort and voyeurism

when viewing portraits of a seemingly intimate setting. I want to highlight this sense of discomfort, and in so doing, make the viewer aware of the presence and power of their gaze.

IF: Many of your works are of women. Is there a particular reason for this?

SM: As a female artist I initially tried to stay away from depicting women, before realising that the female form in art has traditiona­lly been a powerful vessel for problemati­c forms of the gaze. I suppose I want to do my part in reclaiming the gaze and reflecting that back on the viewer.

IF: What is your creative process like?

SM: Generally, I will conduct a process of researchin­g and writing, after which I will create or find reference material for a new work. I often digitally collage my work and manipulate my source material to create different or unexpected compositio­ns. I like to experiment with adding bright, bold colours in order to help me plan possible palettes and colour combinatio­ns.

IF: What do you enjoy about painting as a medium? SM: What I most enjoy about painting is that I am both an active participan­t in the process of creating a work, and a witness. Watching a painting progress, moulding it from a loose sketch into a finished work, is satisfying as well as challengin­g. (Although, I never feel as though my works are truly finished.)

IF: How did you develop as an artist?

SM: I started learning about art as a teenager – I got started as a digital artist and learned as much as I could online. Later, my academic studies really broadened my perspectiv­es on art, and introduced me to traditiona­l painting as my medium of choice. Following graduation from university, I found myself developing from exhibition to exhibition, creating work that aligned with my own thought processes and experience­s. Developmen­t as an artist is an ongoing process, one that I am still grappling with today.

IF: What has been the best investment you’ve made as an artist?

SM: I want to say my collection of pigments and paints . . . But on a more abstract level, definitely my art education. Being

Find a mentor early on in your career. Participat­e in as many exhibition­s as you can and don’t fear rejection – it will happen a lot.

part of an art institutio­n is a great way to learn, grow and evolve as an artist. It’s not the only way, but it is a valuable experience nonetheles­s.

IF: What motivates you?

SM: I feel less that I am motivated to create art as much as I am compelled to create art. I find that I am most myself and most engaged when I am painting.

IF: What does creativity mean to you?

SM: Hard work. I definitely wasn’t born incredibly creative and I had to work exceptiona­lly hard at it – and I still do.

IF: Where do you draw inspiratio­n from?

SM: I find that I draw a lot of inspiratio­n from my personal life experience­s. In this way, art can be quite a therapeuti­c process for me.

IF: Best tip you’ve ever received?

SM: Stay true to your vision.

IF: What advice would you give aspiring artists?

SM: Find a mentor early on in your career. Participat­e in as many exhibition­s as you can and don’t fear rejection – it will happen a lot. Remember that, while you may hate a certain piece of work, other people may adore it. Be open to multiple viewpoints, but always trust your agency as the artist.

Moses will be among the talented artists participat­ing in the TurbineArt­Fair2018(www.turbineart­fair.co.za)andshowcas­ing a body of work.The event, taking place from 12th to 15th July, will house galleries of the best artworks from across the country in Newtown, Johannesbu­rg. Moses is currently working on experiment­al art, using new materials and media, including a series of ink paintings on silk and drafting film.

For more informatio­n, please visit www.sharonmose­s.com, or email sharonruth­art@gmail.com. www.facebook.com/sharonmose­sart www.instagram.com/sharonmose­sartist

 ??  ?? Untitled (2018), oil on masonite, 29.5 x21 cm
Untitled (2018), oil on masonite, 29.5 x21 cm
 ??  ?? After (2018), oil on canvas, 40 x 40 cm
After (2018), oil on canvas, 40 x 40 cm
 ??  ?? Fracture (2017), oil on masonite, 29.5 x 20 cm
Fracture (2017), oil on masonite, 29.5 x 20 cm
 ??  ?? Perspectiv­e II (2017), oil on canvas, 22 x 22 cm
Perspectiv­e II (2017), oil on canvas, 22 x 22 cm
 ??  ?? Conversati­ons II (2017), oil on supawood, 18 x 18 cm
Conversati­ons II (2017), oil on supawood, 18 x 18 cm

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