In Flight Magazine

THE BEADED MENAGERIE & THE MAN BEHIND IT

ON MY WAY TO THE LOCAL SHOPS IN GREENSIDE, JOHANNESBU­RG, I ALWAYS STOPPED TO PAT THE LION. HE WAS A MAGNIFICEN­T BEAST, ABOUT TWO YEARS OLD AND A METRE TALL WITH A GORGEOUS GOLDEN MANE.

- { TEXT & IMAGES © LESLEY STONES }

One day he was gone, and his owner, Owen Chisvo, gave an apologetic smile.“I sold him to a game lodge in Mpumalanga,” he said.The lion was the most amazing piece of beadwork I’d ever seen, made from tens of thousands of tiny orbs with a flowing mane created from dozens of short skeins looped around each other.

Chisvo (25) had wanted R4,000 for it, but settled for R2,000 – a pittance given the cost of the components and the weeks of labour it took to make it. It was damaged, he shrugs, and slightly skewed, because somebody had sat on it when he wasn’t looking.

THE BEAD BRIGADE

Chisvo is one of the numerous beading experts that brighten up our pavements at shopping centres and busy crossroads. If you stop for a closer look, you’ll realise that the intricacy of their work is incredible.

Chisvo’s patch at Greenside’s Village Green shopping centre in Johannesbu­rg is a menagerie of striped giraffes, widemouthe­d hippos, fat zebra, crested hoopoes nodding in the breeze, and a large, bright gecko climbing a tree in the centre of it all.

He points to a figure he calls the “ugly dog” and tells me it’s four years old, but looking brand new despite the bad weather. “This stuff and the rain are friendly,” he smiles.

He’s such a gentleman that he offers me his battered old chair while we chat. I sit, and almost tumble onto the pavement. “Oh yes,” he says sheepishly, “I know the tactics for sitting on it now when it tries to throw me off!”

Chisvo comes from Harare, Zimbabwe and moved to South Africa in 2008. “I was selling in Victoria Falls but I’d get two

I have regular customers and some people place orders. I like to make the things that people are looking for. If they want ducks, I’ll make ducks. If I see they like giraffes, I’ll make giraffes.

customers a week.Tourists have been running away from there, so I followed them here,” he says.

A THREE-PART PROCESS

His older brother had studied beading for two years at art school, and had passed on the skills to Chisvo. It’s a threepart process. First, he uses thick wire and fine-nosed pliers to mould the skeleton of whatever he’s creating. He twists the metal as he talks, and if I use my imaginatio­n, I can see the ear of a cheetah emerging.

“In the beginning I was working from pictures, but now I know the structures of the animals, so when I’m planning to make something I know how to do it,” he says. “I can see the vision when I’m holding the wire, so I just bend it because the picture is in my head.” A large zebra will take almost a week from start to finish, with the frame alone taking a whole day.“You can’t rush with creating a good thing,” he says.

The second task is to thread the beads onto long strands of 0.7 mm wire. He evens up a bundle of 10 long wires and sharpens one end by rubbing them on the pavement.Then he prods their points repeatedly into a bag of beads to spear them. A shake or two jiggles them down the wire, then he pokes them around the bag again. As the skeins are completed, he twists the ends to lock the beads in place.

Finally, each string of beads is placed onto the frame one at a time, and painstakin­gly tied on with fine filaments of wire every few centimetre­s. I’m astonished. Can’t you just place 10 skeins on the frame and tie them all on at once, I ask? He looks at me like I’ve just asked Leonardo daVinci why he doesn’t rather use spray paint, and shakes his head patiently.

TAILORED TO SUIT DEMAND

Chisvo is a familiar face in the car park, and several people wave or shout a greeting as they pass. “It’s busy here, so it’s a good place to work,” he says.“I have regular customers and some people place orders. I like to make the things that people are looking for. If they want ducks, I’ll make ducks. If I see they like giraffes, I’ll make giraffes.”

He’s a savvy businessma­n too, tailoring his output to suit the season. In February he makes roses and flowers, and for Easter he produces rabbits.“In December, it’s Christmas decoration­s like stars and bells and reindeers, and rhino when there’s discussion­s about rhinos,” he says.

He lives in Hillbrow, and sells enough to make a decent living. But his earnings have to cover the rent for a store room so his tools and finished items can be locked up safely every night. He has a trading permit to show the police, so they can’t harass him or confiscate his goods like they used to.

Chisvo knows many other beaders and sometimes visits them to look for new ideas, or to tell them about something that’s selling well on his patch. “We help each other out. Most of them are from Zimbabwe – they’re home boys,” he says.

His work costs from R85 to a couple of thousand, and you can haggle, of course. But his wide grin and friendly eyes will probably charm you into offering more than he’s actually asking for – which is just as well, because his work is definitely worth it.

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 ??  ?? Opening Page: Owen Chisvo puts a zebra on display at his trading point in Greenside. Third Page: Over the years, Chisvo has learned the individual physique of each of the animals he crafts, mixing realism with art. This Page: Working with different thicknesse­s of wire, Chisvo crafts the frame of a flower, and beaded hoopoes bobbing in the breeze.
Opening Page: Owen Chisvo puts a zebra on display at his trading point in Greenside. Third Page: Over the years, Chisvo has learned the individual physique of each of the animals he crafts, mixing realism with art. This Page: Working with different thicknesse­s of wire, Chisvo crafts the frame of a flower, and beaded hoopoes bobbing in the breeze.
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