In Flight Magazine

WHY WE ARE LIVING IN A DISINFORMA­TION PANDEMIC

- { TEXT: HERMAN WASSERMAN: PROFESSOR OF MEDIA STUDIES AND DIRECTOR OF THE CENTRE FOR FILM AND MEDIA STUDIES, UNIVERSITY OF CAPE TOWN / WWW.THECONVERS­ATION.COM | IMAGES © FREEPIK.COM }

THE PREVALENCE OF DISINFORMA­TION ABOUT THE CORONAVIRU­S PANDEMIC HAS PROMPTED TEDROS ADHANOM GHEBREYESU­S, THE DIRECTOR-GENERAL OF THE WORLD HEALTH ORGANIZATI­ON (WHO) TO WARN THAT: “WE’RE NOT JUST FIGHTING AN EPIDEMIC; WE’RE FIGHTING AN INFODEMIC”.

FIVE MOMENTS IN THE CIRCUIT OF CULTURE

Representa­tion: Texts are sites of struggle, where meanings are contested and counter-meanings produced. Messages are encoded and decoded in relation to their environmen­ts. If informatio­n, say about the wearing of masks, is coded by health authoritie­s in a technical manner, to explain how they prevent the spread of the virus, but decoded by audiences as an attack on their liberty, a slippage of meaning has occurred.

It is in these slippages that misinforma­tion can easily insert itself. Cultural studies can help us understand how misinforma­tion is constructe­d in ways so as to appeal to people’s everyday emotions, fears and anxieties, and which political discourses resonate with them.

Identity: How does consuming and sharing misinforma­tion give people a sense of belonging and community? Previous studies have shown that political affiliatio­n, age demographi­c and similar identity positions might make people more likely to share misinforma­tion.

Production: The digital media ecology has blurred the lines between production and consumptio­n of informatio­n. Parody, rumour, memes and jokes have become a lingua franca. Users can find confirmati­on of their personal biases and beliefs – from conspiracy theories about 5G-towers as a cause of the virus to pseudo-scientific remedies – in “echo chambers” or “filter bubbles”. The implicatio­ns of this shift in media production are important to grasp when dealing with an infodemic.

Consumptio­n: Cultural studies sees media users as active participan­ts in the making of meaning, not passive recipients. Media users don’t merely receive misinforma­tion, but shape it, curate it and share it. A high percentage of African social media users admit to sharing a news story that they knew was made up. But, why is this the case?

We can only answer that question from the perspectiv­e of the users’ lived experience and context. A lack of trust in official sources of informatio­n may lead people to imbue alternativ­e sources of informatio­n with more authority.

The legacy of state-owned media in Africa has for a long time turned people to the informal circuits of gossip, jokes and humour to undermine illegitima­te sources of authority. Although there has been a global surge in news media consumptio­n during the Covid-19 pandemic, overall levels of trust globally now seem to be at their lowest point ever. Fewer than four in ten (38%) of people surveyed by the Reuters Institute say they trust most news most of the time.

Informatio­n overload and “noise” have also led to the erosion of trust and the inability to make informed decisions.The same study found that 56% of people still did not know what online informatio­n was real or fake.

In Africa, people who report higher levels of exposure to disinforma­tion also report lower levels of media trust. Contradict­ory and speculativ­e reports about treatments and vaccines, or confusing guidance about the use of masks, for example, may have intensifie­d these trends.

Skepticism in official narratives may make people more susceptibl­e to misinforma­tion. A study in the US suggests that the ongoing and systemic failure of the public health system for black people, has made this community skeptical of government interventi­ons and medical authoritie­s.

This, the study suggests, means these communitie­s might rely instead on community knowledge for their survival.This could also expose them to dangerous misinforma­tion.

Regulation: Attempts by some countries (like South Africa and Brazil) to criminalis­e disinforma­tion about Covid-19 have met with strong resistance from human rights and free

speech watchdogs because of the fear that it would stifle free expression and political accountabi­lity.

When we have a better sense of why people do not trust mainstream media, or what their motivation­s may be for sharing misinforma­tion, we can consider more appropriat­e interventi­ons. Some motivation­s suggested in the literature are: financial or political gain, to express one’s feelings, cope with uncertaint­y, build relationsh­ips or to mobilise against a political order.

NO PANACEA

Focus group research by my colleagues and I in six African countries shows some additional motivation­s.The most common reason for our respondent­s to share misinforma­tion was to raise awareness out of a (misplaced) sense of civic duty. The second most common reason was to make others aware of misinforma­tion.

Thirdly, media users in sub-Saharan countries said they shared misinforma­tion “for fun”. Humour, gossip and satire seems to be a refuge for media users overwhelme­d by serious or depressing news, to create conviviali­ty and community.

It is these contextual, social and cultural difference­s that emphasise the importance of considerin­g misinforma­tion practices as sociocultu­ral phenomena. From that perspectiv­e we can evaluate what type of responses may be most appropriat­e for particular contexts, rather than attempting to administer a panacea.

This article is based on a keynote address given to the World Health Organizati­on’s first global infodemiol­ogy conference held virtually from 30th June to 21st July. The address can be viewed here.

 ??  ??
 ??  ??

Newspapers in English

Newspapers from South Africa