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Tunisia fashions its style on past heritage

- Kaouther Larbi

Traditiona­l embroidery on modern dresses, men’s robes turned into women’s jackets — Tunisian designers are making their mark with outfits inspired by their country’s heritage.

Drawing on a diverse range of regional styles, designers such as Zeineb Chiboub are adding modern touches to the North African country’s traditiona­l garb.

Wearing a hooded coat inspired by the kachabiya, a winter robe usually worn by men, Chiboub says the idea of reworking generation­s-old designs is catching on. “Tunisians, especially young people, are increasing­ly fond of Tunisian heritage. They want to show their identity,” she says.

Every week, Chiboub, a pharmacist by training, heads to a different region in search of old clothes.She cuts them up and transforms them into “stylised” models to sell at her shop in an upmarket suburb of Tunis.

Tunisia boasts a wide variety of clothes inspired by past rulers, with Carthagini­an, Roman, Amazigh, Arab, Andalusian and Ottoman styles all leaving an imprint.

Each region has its own style of dress for weddings and religious ceremonies, using luxurious silk, lace and tulle fabrics richly ornamented with silver, gold and filigree threads.

Chiboub says her clients are also looking for everyday clothes. Her most in-demand item is the maryoul fadhila, a traditiona­l silk or cotton top worn over jeans or a short skirt.

Haifa Ifaa, a student in her 20s, says the clothes give her a feeling of pride. “I love wearing the updated clothes of our grandmothe­rs,” she says, standing at the entrance of the shop of Faouzia Frad, another designer of reworked traditiona­l clothing. “[They] show the beauty of our heritage.”

Veteran designer Frad says her designs combine traditiona­l embroidery with “more sophistica­ted, more tailored dresses, adapted to the tastes of the modern woman”.

She says the concept is increasing­ly popular. Stylist Ilyes Ben Amor agrees. “The ethnic trend is in vogue at haute couture houses and on internatio­nal podiums,” he says.

It is a celebratio­n of the “warm and daring colours of traditiona­l clothes, which spread joy and freshness, contrary to all that is dark, full of sadness, like the niqab”, the Islamic veil that covers the face, he adds.

Some designers see taking inspiratio­n from the country’s past as a statement against religious extremism. Tunisia has experience­d a jihadist insurgency since a 2011 revolution toppled long-time dictator Zine alAbidine Ben Ali.

“Our only weapon against fundamenta­lism is our identity, our culture, our craftsmans­hip,” says Fatma Ben Abdallah, the head of the jury of the annual Khomsa d’Or fashion show. The show, set for May 18, will host both amateur and profession­al artisans and designers. Organised by the National Crafts Board, it aims to revive traditiona­l dress in Tunisia, with the dream of crossing borders.

Ben Abdallah has ambitions beyond that, hoping to organise internatio­nal fashion events to showcase Tunisian designs. It will be a challenge — to date, there is no official data on revenue from the clothing sector or its export potential. “We have a very rich heritage, talent and taste,” she says. “But we lack resources and, without the support of the government, this dream cannot be realised.”

Three-time Khomsa d’Or prizewinne­r Ilyes El Andari agrees. “The traditiona­l dress is the showcase of the country. It deserves to be more supported,” he says. — AFP

 ??  ?? Modern meets traditiona­l: Creations by Tunisian fashion designer Olfa Mhaoued.
Modern meets traditiona­l: Creations by Tunisian fashion designer Olfa Mhaoued.

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