Mail & Guardian

New advocates for the ancient gods

Over the centuries, Nigeria’s colonisers brought their religions with them. But not everyone has forgotten the old gods

- Shola Lawal

Nigeria is a secular state, but religion nonetheles­s dominates social and political life. Almost 49% of the 186-millionstr­ong population is Muslim, spread largely over the north, central and southwest regions. Christians, who account for 48.3% of the population, live mainly but not exclusivel­y in the south of the country.

Overshadow­ed by these two faiths, another group of worshipper­s is forgotten, and often marginalis­ed: they are the adherents of Nigeria’s traditiona­l religions.

Not all Nigerians accept that freedom of religion extends to the country’s indigenous religions as well: in Nollywood movies, for example, traditiona­l worshipper­s are often depicted as satanic.

Believers face an uphill battle to persuade the government to implement inclusive religious policies, including to recognise traditiona­l religious holidays. But despite these struggles, the old gods still very much exist thanks to people such as Iyalorisa Omitonade Ifawemimo, who are helping to keep them alive.

Father of secrets

At the age of five, when her friends trudged behind their parents to churches and mosques, Ifawemimo began to memorise the Odú Ifá — the 16 chapters of the Ifá corpus. That same year, her initiation into traditiona­l Yoruba religion would begin. As with her four siblings, her father, Omikunmi Olorisa Egbelade — an orisha (deity) devotee and a babalawo (a priest of the Ifá oracle) — had ingrained in her the importance of learning about Ifá, Yoruba spirituali­ty and, most importantl­y, passing it on. He taught her exactly the way his father had taught him decades ago, when he was a boy.

Omikunmi and his father bore many similariti­es; his father was also a babalawo, or “father of secrets” as Baale Omikunmi likes to call it. A babalawo is a priest appointed to communicat­e with the gods on behalf of others.

At home in Nigeria, Omikunmi boasts some solid achievemen­ts. He is the head of the Isese Foundation, an advocacy group for all traditiona­l religion worshipper­s in Oyo State and the country. In Ibadan, where he lives, he is also the Baale Yemoja — the chief priest of the goddess of water.

The Baale’s father had insisted on sending his son to school for a reason: no one would cheat his son the way he had been cheated. The older Baale’s generation experience­d first-hand the effects of the British invasion and the almost total stripping of indigenous culture from the minds of the populace that followed. As culture disappeare­d, Ifá worship did too. The church pulled people away from Olodumare, one of the manifestat­ions of the Supreme Being, in their thousands, and labelled traditiona­l practices as “fetish” and sinful — practices such as the consultati­on of Ifá, for example, and bowing to a man-made statue for another.

It was a period of shocking cultural change for the Baale’s father’s generation. The subtlety of religious colonialis­m was insidious, especially when mixed with Western education. And where the gods promised swift retributio­n for sinners, the white man’s god gave sinners a free pass, promising infinite forgivenes­s and showing no will to strike liars, thieves and fraudsters on the spot the way Sango, god of thunder, would have done. And so sin they did — in abundance. Nothing made sense, except that the Baale’s father quickly noticed how the educated seemed to prey continuall­y on those who were not literate, and vowed that his son would not suffer the same fate.

The mother goddess

Ifawemimo graduated in 2014 with an economics degree from the Obafemi Awolowo University in Ile Ife in southwest Nigeria.

At the age of 20, she was officially made a Yemoja high-priestess. The initiation ceremony involves a number of spiritual activities. One requires that the woman shave her head and walk through the streets with a pot on her head. Before the initiation a divination must occur to reveal a person’s taboos, strengths, weaknesses and destiny.

As a full-time Ifá devotee, one of Ifawemimo’s duties is to perform divination for others, to consult the gods on behalf of the new worshipper­s and to determine which god they should be devoted to.

Divination is so important in Yoruba tradition that it is done “before a betrothal, before a marriage, before a child is born, in times of sickness, at any and all times”, according to a Professor Oduyemi in a 2016 lecture. After the akosejaye — the divination exercise that shows the full scope of one’s life, the ups and the downs — a baby’s taboos are identified and noted. But most importantl­y, the baby’s guardian orisha is revealed. As a three-dayold baby, Ifawemimo’s guardian orisha was revealed as Yemoja.

Yemoja is only one of the deities or orishas in Yoruba religion: there are as many as 400.

The Yoruba people, a major tribe in the West African region who are found mainly in Nigeria but also spread across Benin and Togo, have practised the Yoruba religion for centuries. In the 19th century, slaves taken from West Africa to work on South American plantation­s were forced to syncretise Yoruba religion with Roman Catholicis­m to avoid damnation by their masters. Although commonly perceived as a form of polytheism, adherents of Ifá such as Ifawemimo insist that they do believe in a Supreme Being — Olodumare — who created the heavens and the Earth and all the other smaller gods so that mankind can consult him through them.

Another high-ranking orisha is Obatala, the husband of Yemoja, with whom he is believed to have made all the other orishas that exist. There’s also Ogun, the god of iron; Sango, the god of thunder; and Oshun, the deity for fertility and love.

Oshun is the deity most often referenced by the African diaspora. In a performanc­e at the Grammy awards in 2017, a pregnant Beyoncé paid tribute to Oshun. The deity also appears on her song Lemonade.

“I like to call them ministers,” says Professor Jacob K Ayantayo, the department head of religious studies at the University of Ibadan, Nigeria’s first university college. “They are the smaller ministers appointed by Olodumare himself, each with his own portfolio (or element of nature) that he controls.”

Ifawemimo’s shrine is nested in a small, square house with a courtyard the size of half a tennis court. At the back is a separate space where Esu, the god of mischief, is domiciled, away from the shrine, sitting beside Egbe, another orisha. Esu’s space is different because ‘‘he is a boss, the main guy’’, she jokingly points out.

“We call him the god of chances and change — he is not Satan and he doesn’t do bad,” Ifawemimo stresses. In Yoruba religion, Esu is believed to be a trickster, a smart and cunning god who appreciate­s a good joke and who loves to cause good-natured chaos.

But his reputation in contempora­ry Yoruba culture has taken a huge beating. Google faced a backlash from the Yoruba community for misreprese­nting Esu as the devil on Google Translate. So when Nigerian linguist Kola Tubosun had the opportunit­y to work on a language project at Google in 2015, he knew he had to grab it.

“The missionari­es just decided that Esu would be the unfortunat­e fellow to become the carrier of the devil,” Tubosun says matter-offactly. He facilitate­d the changing of the previous meaning of “Esu” on Google Translate, using “Bilisi”, the Yoruba word for evil, in its place.

Tubosun’s background explains why he has appointed himself as a guardian of Yoruba language — he grew up close to his grandparen­ts in Ibadan, a prominent Yoruba city, and his environmen­t imprinted a love for language and culture in him.

In keeping the Yoruba language alive, as he does now — digitising and documentin­g it for a new generation — Tubosun is also keeping Yoruba religion alive. Indeed, one cannot practice Ifá without understand­ing the Yoruba language.

Tubosun has developed a dictionary site for Yoruba and is working on doing the same for other major Nigerian languages such as Igbo and Hausa. But his work with Google, albeit brief, is one of the things he is most proud of.

The new school

Though not quite in the category of a millennial, Ifawemimo is as much a social media addict as the next person who has access to the internet. Her phone is the first thing she reaches for every morning, patting blindly around her bed before she even opens her eyes. “I can’t do without it,” she says, self-deprecatin­gly.

“Ifá is the esoteric word of Olodumare,” the high priestess explains in one Instagram post. Although it has been described as a great many things, a great many times, many religious scholars agree that Ifá is essentiall­y a collection of oral verses, parables and anecdotes that make it possible for appointed priests and priestesse­s to consult Orunmila, who is the sole interprete­r of Olodumare’s divine message and the intermedia­ry between Olodumare and mankind.

“Social media has really helped me get in contact with people of like minds,” Ifawemimo says. “[Some of them are] lovers of culture and tradition, [who] don’t necessaril­y practice it but who have fallen in love with it anyway.”

But these cases are few: because

The white man’s god gave sinners a free pass, promising infinite forgivenes­s ... and so sin they did, in abundance

 ??  ?? Burning issue: Nigerian actors (above) on the set of a Nollywood production. The country’s film industry has been criticised for often portraying traditiona­l belief systems in a negative light. Eyo masquerade­rs marching in Lagos (below) represent the...
Burning issue: Nigerian actors (above) on the set of a Nollywood production. The country’s film industry has been criticised for often portraying traditiona­l belief systems in a negative light. Eyo masquerade­rs marching in Lagos (below) represent the...
 ??  ?? Photos: Akintunde Akinleye/Reuters and Stefan Heunis/AFP
Photos: Akintunde Akinleye/Reuters and Stefan Heunis/AFP

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