Mail & Guardian

Boitumelo Motau

-

‘This is an image I took on an early winter morning on Klein Street, Johannesbu­rg. Looking at it now, I’m sent into a spiral of thoughts that circle in my head a few times before finally resting on the image again. The photograph always offers some kind of pause in the midst of everything, as if I’ve captured a moment of breathing.

In that moment, the plastic sheets momentaril­y act as blankets over my eyes, allowing me to rest here; to be excused from whatever activity or life lies outside this frame.

I can still feel the wind cutting through bodies, forcing me to stay grounded and claim the space I’m occupying. I’m looking across from one pavement to another, met by the overarchin­g theme of the lockdown.

There’s a safe distance between myself and what I’m looking at. Everything is enclosed and functionin­g with an inner rhythm and I have to be okay with its inaccessib­ility. I have nothing but surfaces to deal with.

I’m then drawn to the simple poetry of the compositio­n. Its stillness allows everything in and around me to happen; the winter sun doing nothing but adding highlights to my stiff face while creating the illusion of a silver lining running across the plastic shelter. In fact, I see many silver linings, all protruding from the same centre the dark figure behind seems to be rooted in.

However, the truth of this image lies outside the frame. The photograph is but a symbol of the invisible world around it. Outside the frame lies the elusive picture that refuses to be captured; a continuous moment

that cannot be tamed or named, but felt only through your body.

Looking into my frame, I choose to be ignorant of a lot of facts. I choose to overlook the streets of Johannesbu­rg as I know them and,

instead, insist on believing this singular frozen moment is a true reflection of how things are.

But the “moment” in itself is never still. This almost choreograp­hed moment is no longer there. Even in revisiting the space, I can never capture it again, as if it were forever sucked into my camera; as if what I was connected to has evaporated and only glimpses of it are conjured whenever I look at the photograph.

 ?? Photo: Boitumelo Motau ?? Silver lining: The photograph­er asserts that the truth of this image, titled Blankets, lies outside the frame.
Photo: Boitumelo Motau Silver lining: The photograph­er asserts that the truth of this image, titled Blankets, lies outside the frame.

Newspapers in English

Newspapers from South Africa