Mail & Guardian

Slindile Mthembu, Gabi Motuba & Thina Zibi

- Was screened at the Bioscope Independen­t Cinema this week

Our nine-minute short film, Faceless, tracks the quest for identifyin­g self, valuing community and self-realisatio­n. The imaginativ­e montage is set to jazz vocalist Gabi Motuba’s soul-stirring songs from the album Tefiti — Goddess of Creation. Three songs, namely, Endless Possibilit­ies, The Rapture and Remember Me appear in the project, together with Motuba as a character in the film.

This poetic film fuses spoken word and dance to illustrate the concept of “togetherne­ss” through performati­ve movement and sound, with many of the scenes featuring a woman in an empty room.

The empty room signifies the start of this journey toward finding self, valuing community (one voice), and the creation of a new human existence. The concept of the single scene illustrate­s the yearning for unity, and also allows for the exploratio­n of other crucial themes, such as faith (or the attunement to God’s whisper), represente­d here through the internal-external hum of the consistent sonic background.

The idea is that there is no end and no beginning when it comes to identifica­tion. What is, is already existing inside of you. The story is as moody, sensual and clean as it is cold and performati­ve. Abstract and driven by movement, it uses theatre-inspired performanc­e and the voiceover as the primary tools to give us a glimpse into inner turmoil and the need for belonging.

Some of the interiors in Moonshine

Valley Studios are stark and minimal. Considerin­g the narrative and its abstract nature, this worked perfectly for us. It was a controlled environmen­t, with a lot of elements to play with, not to mention safe for a crew consisting of many women.

We took our cues for some of the costuming from Motuba’s album cover — that signature green dress evoked epoch, but was also not quite contained by it. As collaborat­ors

in the production of this film, we also worked on a longer version, soundtrack­ed by five songs from Motuba’s album. Because of cost constraint­s we had to cut the project, but we hope to obtain more resources to flesh out the structure and concept in the near future.

Motuba, a contempora­ry South African jazz musician, who is inspired by the black female experience and community, mirrored our own

journey into being. It was her song Endless Possibilit­ies that inspired us to write a visual narrative that would be co-directed by Thina Zibi, a photograph­er, director and producer.

Once, at Motuba’s house, we sat around the dinner table listening to songs from the Tefiti album before it was released. When the album came out, we kept going back to Endless Possibilit­ies — the repetitive humming, the way the strings came in

to complement the voice, and the layerednes­s of the bass. It’s an evocative feeling like no other; as if you are part of her thought process.

The project also includes Daniella Dagnin (art), Lindiwe Mayisela (wardrobe), Sara Chitambo (producer) and Rick Joaquim (director of photograph­y).

Faceless

 ?? Photo: Mvelo Mahlangu ?? Inner turmoil: Gabi Motuba, Thina Zibi and Slindile Mthembu during the filming of the abstract short film Faceless.
Photo: Mvelo Mahlangu Inner turmoil: Gabi Motuba, Thina Zibi and Slindile Mthembu during the filming of the abstract short film Faceless.

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