Saturday Star

Trendy trench coats top of the pops

Designers are in love with this classic item now – but these probably bear no resemblanc­e to the ones in your closet

- ROBIN GIVHAN

THE classic trench coat is being ripped apart, chopped in half, blown up – and then put back together. Don’t try this at home.

Last Monday at Fashion Week, designer Jonathan Simkhai, who founded his self-named brand in

2010, showed a collection in which he cut away the backs of trench coats and inserted yards of flowing brightly patterned fabric, juxtaposin­g the angular tailoring of the jacket, which has its roots in menswear, with the fluidity of a dress.

At Monse last week, the designers Fernando Garcia and Laura Kim used trenches in their exploratio­n of punk, splicing their hacked-up bits with swathes of nubby plaid and holding it all together with giant safety pins. It was a gentle form of subversive­ness – nothing too jarring. All of the shapes and ideas were recognisab­le; they were just conjoined in unique ways.

And a newcomer, Wei

Ge, used the trench coat as a way of exploring gender traditions and blurring the lines that still separate them. The formal debut of his brand KEH, in a gallery space in Chelsea, showed his skilful execution of roomy tailoring, his quiet use of colour and a well-edited point of view. The graduate of Parsons had a theme that was clear and succinct: menswear with just enough sensuality and experiment­ation to excite the senses.

All this attention on the trench coat is not so much a trend as a newfound obsession. A trend would suggest that a look – or a technique

– is brand new or at least that it has not been seen for a good long time. Japanese designer Chitose Abe has spent years separating basics into their various pieces and then splicing those elements back together with bits of contrastin­g fabrics stitched in. The trench coat is a favourite foil.

Designer Kunihiko Morinaga explored proportion­s of various classic garments – including blazers, crew neck sweaters and trench coats – in his spring 2020 collection for Anrealage. And most notably, Junya Watanabe dedicated his entire spring 2020 collection to the khaki-coloured coat. He turned it into skirts and dresses. Its various elements – the lapels, epaulets, belt – were misplaced and reworked.

And as filtered through Watanabe’s imaginatio­n, the trench coat became the equivalent of a singular melody that was transforme­d into an endless stream of remixes.

The classic coat’s history dates to World War I – and really even beyond that once you start parsing exactly what counts as a trench. It’s a reflection of tradition, technical ingenuity, patriotism and classism. Thomas Burberry is typically given credit for creating the modern version of the style thanks to his creation of gabardine, a fabric that was water repellent and that allowed the fabric to breathe so that wearers weren’t left roasting in their own sweat.

The style exists in countless iterations in a host of brands, but it’s also an irresistib­le point of experiment­ation. It’s a recognisab­le symbol of the Establishm­ent, a key element in the masculine vocabulary and a paean to practicali­ty. To reinvent it, is not just a bit of fashion slight-of-hand – it’s a stress test of cultural traditions. Designers can’t resist. | The Washington Post

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