Sunday Times

Entertaini­ng movie tells tale of three generation­s

MANAM (8/10)

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NAGARJUNA’S dream project came to fruition with the completion of Manam.

Nagarjuna plays the lead role with his father, the late Nageswara Rao, who died in January during the film’s production phase.

Nagarjuna’s wife, Amala, their son, Akhil, and Bollywood superstar Amitabh Bachchan all make special guest appearance­s. The film also stars Naga Chaitanya, Samantha Ruth Prabhu, Shreya Saran, Saranya Ponvananna­n and Bhramanand­ham.

The story begins in 1983 and looks at the troubled life of eight-year-old Bittu. His parents — Radhamohan (Chaitanya) and Krishnaven­i (Prabhu) spend most of their time bickering. A tragic series of events results in Bittu’s life being turned upside down.

The story then moves to the present, when an adult Bittu (Nagarjuna) is a motivated and successful businessma­n. On an aeroplane trip he meets someone who closely resembles his late father, which begins a chain of events that results in three generation­s of stories being unveiled in an unusual manner.

Nagarjuna handles his role splendidly, but he is comfortabl­e in giving more screen space to Chaitanya, Prabhu and Saran, who all give impressive performanc­es.

Prabhu, in particular, is in magnificen­t form. One of the best performanc­es comes from the late Rao, in what became a fitting final role for him.

The first half is perfectly paced and builds rapidly to a breathless intermissi­on. Unfortunat­ely, much of the momentum is lost thereafter with a second half that’s longer and slower-paced, only picking up speed again towards the end.

Director Vikram K Kumar has taken some liberties with the logic quotient in the story, but he succeeds in creating a extremely entertaini­ng movie.

PS Vinod’s cinematogr­aphy is pleasing to the eye, but it makes no attempt at any kind of innovation. Prawin Pudi’s editing, though, is top notch.

Anoop Rubens, who had earlier worked with Vikram Kumar on Ishq, does a brilliant job of the songs with unusual melodies and creative instrument­ation. His background score is not as impressive.

Manam is clean family entertainm­ent that appeals to a wide audience. Despite the flaws in logic and pace, it is a film that will delight, move and inspire.

 ??  ?? PAST IMPERFECT: Samantha Ruth Prabhu in the clean family entertainm­ent that is ‘Manam’, which has been designed to appeal to a wide audience
PAST IMPERFECT: Samantha Ruth Prabhu in the clean family entertainm­ent that is ‘Manam’, which has been designed to appeal to a wide audience
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