Sunday Times

IN HIS HAIR TONIGHT

Phil Collins has a few regrets, but not about music, according to his autobiogra­phy

- @Jenniferdp­latt Jennifer Platt

NOMAVENDA Mathiane is one of those people you immediatel­y feel comfortabl­e talking to, but at the same time you want to impress her. Her book Eyes in the Night: An Untold Zulu Story sticks in your head and plays with your emotions. Mathiane was one helluva journalist who worked on most major South African newspapers. She started off at The World during the uprisings of 1976. Later she worked at Frontline magazine — one of the few black women journalist­s who wrote about how people really lived in Soweto and other townships.

In her latest book, Mathiane tells the story of her grandmothe­r. It’s a story she didn’t know, one she stumbled upon at her mother’s funeral.

“There was no other time I could have written it,” Mathiane says. “Because I didn’t know about my grandmothe­r’s life. I heard about the story two years before I retired. In retrospect, if I had known the story a long time ago, I wouldn’t have done a proper job. I would’ve been too emotional. I found my voice and now I am able to sit back and look back at my life and their lives.”

It’s the story of how her grandmothe­r, Nombhosho (which means bullet), survived the Anglo-Zulu war as a young girl. “A tale of woe and triumph,” Mathiane writes.

It’s a story of hardship and dispossess­ion that traces the fate of one Zulu family since 1897. Mathiane says the British colonialis­ts were “ruthless” with the Zulus. “The English torched their homes. People had no homes. That narrative [of what] happened to the Zulu people still hasn’t been told properly.”

During the time of the Anglo-Zulu war, after their land was stolen by the Abelumbi (literally “sorcerers”, the term King Shaka used for white people), her grandmothe­r and great-grandmothe­r and their family had to live in a cave. They had only roots and rats to eat.

There’s a heartbreak­ing moment when Nombhosho’s mother realises her husband is dead. She finds his shield and assegai at the entrance of the cave. That was a sign from his fellow warriors that he had died.

“It was challengin­g to write,” Mathiane says. “I was an alien coming into Zululand and listening to the stories. We hardly know where my grandmothe­r’s home was. All we know is she lived next to ‘the shadow mountain’.” Mathiane had to question family members and make many visits to KZN to piece together Nombhosho’s life.

The accounts of what Nombhosho was subjected to as a young girl make the reader angry and sad. Her mother is forced to marry a man she doesn’t know and work with him on a farm, “hell on earth”, as Mathiane describes it. The white farmer beats Nombhosho and tries to rape her.

But it’s not all dire. Mathiane tells her own story of discoverin­g the past, and discoverin­g who she really is. There are light moments when she talks about her family and her visits to them. “There we were, young and old females sharing this huge bedroom. We were like high-school girls having a pyjama party.”

Mathiane hopes that Eyes in the Night will inspire readers to examine the past more closely.

“I want my book to make young people question who they are. When we were told about the Zulu wars at school, we were taught superficia­lly about what happened. We never learned about the Zulu warriors.

“My father was Christian, we lived in the townships. My sister [Sis Ahh] was different, she lived with my grandmothe­r. She was in touch with the soil. She was brought up in the Zulu rituals. None of us other six girls performed the rituals. But I’m richer for knowing what happened. I know who I am now, after writing this book.

“There are so many stories still to be told about that era. This book is just a drop in the ocean. We need people to tell and write these stories.” —

‘There are so many stories still to be told about that era’

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