Sunday Times

Graffiti Glory

| Salt River in Cape Town has become ground zero for local street art, writes

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OUTDOOR TYPE: Sébastien Charrieras of Baz-Art in front of a stamp portrait by Claude Chandler CHANGING FACE: The tuck shop at Dryden Primary School in Salt River created by graffiti artist Senzo and a group of pupils for tour guides and art classes and workshops at underresou­rced schools.

Salt River resident Nadia Agherdine, whose family has lived in the area for 60 years, said: “Having this public art in Salt River has put the suburb on the map and it will procanvass­es — 90 in total — for a travelling exhibition that will have its first showing in Cape Town at the end of next month before moving to Europe and the US.

Graffiti — street art in its original form — is said to have had its genesis in Philadelph­ia in the mid1960s when a schoolboy called Darryl “Cornbread” McCray began leaving his writing on the wall, so to speak.

The zigzag scrawl was often dissed as the anti-establishm­ent handiwork of gangs that skulked about in hoodies after dark, shaking up their cans and spraying thick letters in subway tunnels and on trains, bridges, store roller-doors and constructi­on sites.

No bare surface was safe and the tagging craze caused frustratio­n for citizens and authoritie­s alike.

But then Banksy happened; the faceless god of street art with an exceptiona­l and smart brand of visual poetry who famously said: “Speak softly, but carry a big can of paint.”

Public perception of the subculture shifted, and the bad boys of tagging realised that skill and originalit­y would win out over mediocrity, copycattin­g and sloppy scribbling.

Street art is now an integral part of modern urban culture. In every metropolis, commission­ed art is emblazoned on strategic sites for all to admire.

Anyone who has stood dwarfed in front of a 10-storey mural dripping in detail and drawn perfectly to scale will attest to the sheer brilliance of the work.

Whether the end product is message-driven, addressing sociopolit­ical issues, or is just there to make something pretty, superb street art is inspiring and will make your heart skip a beat.

The Picassos of the pavement have made their mark and we are all the better for it. For the Internatio­nal Public Art Festival, it’s mission accomplish­ed. HOUSE PAINTER: Ibrahim Baaith from the US

Having this public art in Salt River has put the suburb on the map

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Pictures: ALLISON FOAT
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