Sunday Times

California school’s moving tribute to SA photograph­er goes viral

- By BOBBY JORDAN

● He gave up the limelight to become a teacher, only to find fame in the classroom.

Chester Maharaj photograph­ed some of the famous people of recent history, including Bob Marley, Tina Turner and Archbishop Emeritus Desmond Tutu. But in May the South Africa-born photograph­er became an internet sensation himself when a surprise video his pupils made to honour him went viral. It has been watched more than 329 000 times.

“I couldn’t believe it — it was all a secret,” said Maharaj when the Sunday Times tracked him down to his home in Tustin, California. “Normally I know everything that happens in my classroom, but nobody said a word.”

The video, which coincided with Teacher Appreciati­on Week in the US in May, was made to honour Maharaj after he was nominated by his pupils as their most influentia­l teacher.

In it, he is seen arriving at Godinez Fundamenta­l High School in a Los Angeles suburb — where he has taught photograph­y since 2009 — thinking he was being interviewe­d for a student project. Outside, he was surprised to see one of his own famous images mounted on the wall.

But a bigger surprise was waiting inside where dozens of his pupils appeared in a hall filled with his images. The video ends with him in tears and receiving a massive group hug.

Maharaj said he found the experience deeply moving and was surprised by all the attention. He paid tribute to his “smart and hard-working” pupils with whom he has a close bond.

Pressed to explain his popularity, he spoke of his hands-on approach to photograph­y; he insists on participat­ing in photograph­ic assignment­s, using the least popular camera. “I’ll take the worst camera available, one that is not working properly, and do the same assignment, to show them it is not about the camera. It is to challenge them,” Maharaj said.

He also helps expand his pupils’ world view by sharing some of his experience­s of working during the apartheid era for several South African publicatio­ns, notably Drum magazine and the Sunday Times.

During this time Maharaj was witness to many historical events and got to know icons such as Winnie Madikizela-Mandela, Fatima Meer and Tutu. He also witnessed first-hand the government’s brutal targeting of innocent people, including many of his colleagues.

He was charged under the Group Areas Act and harassed by the police for living in Hillbrow, which was then a white suburb. He appeared in court at least 13 times, and the harassment prompted him to leave the country in the early 1980s.

He was a wonderful asset: many photograph­ers are good at one thing, but Chester could always be relied upon to cover unrest as brilliantl­y as he’d shoot Tina Turner, Bob Marley, the Cup Final or a fashion spread

Tony Sutton

Former Drum editor

Maharaj said these formative experience­s also helped shape his education philosophy in the classroom: “I tell my students they have to find out who are all these other people with whom they are sharing the planet.”

Former Drum editor Tony Sutton said Maharaj joined the magazine in 1976 when a staff photograph­er was detained after the June 16 uprising.

“Chester’s speciality before joining Drum was fashion photograph­y, but as the magazine’s only full-time photograph­er he quickly adapted to the pressure of operating in areas of township unrest, along with the usual Drum formula of sports and showbiz — and those dreadful cover girls that later became less prominent,” Sutton said.

Former Sunday Times journalist Hoosen Kolia, who worked with Maharaj almost three decades ago in Durban, said: “I am not surprised at the recognitio­n Chester’s work has received. He is a master of the craft and he was always studying photograph­y. Those were the days when you took and processed your own pictures . . . so you had to know what you were doing.”

Kolia said Maharaj had covered some turbulent times, especially when he worked for Drum. “Chester was always in the thick of it, with only his Nikon between him and the utter chaos around him. He was the sort of photograph­er who would pull out a light meter in the middle of a riot so that he got the lighting right.

“What is so wonderful is that Chester’s young students in California were aware of the historic photos he had taken in South Africa . . . and they surprised him by displaying enlargemen­ts of the pictures.”

 ?? Pictures: Chester Maharaj ?? A tense scene from the apartheid era.
Pictures: Chester Maharaj A tense scene from the apartheid era.
 ??  ?? A picture Chester Maharaj shot for Drum magazine, showing Julius Nyerere at the funeral of Seretse Khama.
A picture Chester Maharaj shot for Drum magazine, showing Julius Nyerere at the funeral of Seretse Khama.
 ??  ?? Tina Turner
Tina Turner
 ??  ?? Bob Marley
Bob Marley
 ??  ?? Chester Maharaj
Chester Maharaj

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