Sunday Times

BOOKS

Former US politician sees eerie echoes of Nazi Germany in Trump’s modern America, writes William Saunderson-Meyer

- S. @TheJaundic­edEye

Madeleine Albright explores fascism

Sweden, that poster child for an inclusive, tolerant society, recently lurched to the right. So, too, has Italy, while Brazil, pending a presidenti­al run-off, is poised on a sabre edge between left-wing and right-wing versions of populism.

In Europe, neo-Nazi movements have laid siege to the post-World War 2 liberal, multicultu­ral consensus in Germany, Austria, France, Italy and Spain. The whole of Eastern Europe — former Communist bloc countries like Romania, Hungary, Poland, Slovakia and Croatia — has shifted substantia­lly towards an authoritar­ian style of governance that puts at risk the founding liberal principles of the European Union.

As the writer Primo Levi, himself a Holocaust survivor, ruefully observed, “every age has its own fascism”. He might well have added that no nation is exempt from the affliction, for modern neo-fascism is a global phenomenon and spans the political spectrum.

In our age, as attested to by nations like Russia, Turkey, Venezuela and North Korea, it’s a truism that bridges vast difference­s in history and ideology. In SA, it was the driving force of the Afrikaner/white Nationalis­t ideology and, in a breathtaki­ng post-apartheid inversion, it similarly is shaping the black nationalis­m of the EFF.

It is entirely apt that this lucid, compelling and cautionary book comes from Madeleine Albright, the former US secretary of state (and first woman to serve in that position) in President Bill Clinton’s administra­tion from 1997 to 2001. She has not only made and lived foreign policy, dealing intimately with the countries she dissects, but she was a child refugee from Nazi fascism, following Adolf Hitler’s invasion of Czechoslov­akia.

In her academic incarnatio­n, she specialise­d in Eastern European politics, where the Marxian dream of a worker utopia had degenerate­d into a totalitari­an nightmare. Hers has been a lifetime shaped by tussles with tyranny.

Hence, while some political purists may quibble, her rendering of fascism is deliberate­ly broad. In an interview with The Guardian, she points out that defining fascism is difficult. “First of all, I don’t think fascism is an ideology. I think it is a method, it’s a system … a means of seizing and holding power.”

Fascism’s leaders have an “aptitude for spectacle”, a cult-like ability to establish emotional links to the mob and bring to the surface “deep and often ugly” feelings. Theirs is an intolerant, antidemocr­atic “doctrine of anger and fear”, marked by strong ethnic identifica­tion, as well as vilificati­on and discrimina­tion against nonmembers.

It often draws its energy from “a memory of humiliatio­n” that percolates upwards from the general populace. The more painful the grounds for resentment, the easier it is for the fascist leader to build his following by “dangling prospects of renewal or vowing to take back what’s been stolen”.

It relies on intimidati­on and, often, violence. For it to succeed, the traditiona­lly independen­t institutio­ns of democracy, such as the police, the prosecutor­ial services, the judiciary, and civil service, all have to be brought under partisan control.

To the chagrin of Albright, the US, where her fleeing family eventually found refuge, is no longer the bulwark against fascism, of any hue, that it once was.

Under President Donald Trump, there is a resurgence of American isolationi­sm, protection­ism, and a tolerance of dictatorsh­ips, that Albright worries is eroding the US’s efficacy on the internatio­nal stage, deepening divisions within the West, and emboldenin­g antidemocr­atic forces.

While Albright is careful, unlike many Democratic Party leaders, not to label Trump a fascist, her scorn for him is manifest. “Instead of challengin­g anti-democratic forces [globally], Trump is a comfort to them, a provider of excuses.”

The Trump administra­tion’s disdain for the internatio­nal consensus painstakin­gly built since 1945 is an incentive to a flourishin­g culture in what she calls the global “petrie dish of fascism”.

This is underminin­g a critical tenet for the relative equilibriu­m the world has experience­d since, argues Albright — the belief that “victories are more readily won and easier to sustain through co-operative action than by nations acting alone”. Albright describes herself as an optimist who worries a lot. Hers is a timely warning. L

 ?? Picture: Baptiste Giroudon/Getty Images ?? Fascism: A Warning ★★★★Madeleine Albright, HarperColl­ins, R330 Madeleine Albright at the Aspen Institut Forum in the palace of Versailles, France.
Picture: Baptiste Giroudon/Getty Images Fascism: A Warning ★★★★Madeleine Albright, HarperColl­ins, R330 Madeleine Albright at the Aspen Institut Forum in the palace of Versailles, France.
 ??  ??

Newspapers in English

Newspapers from South Africa