Sunday Times

A punchy production from Flanders

Rhythm is everything in boxing and dancing. Get on the beat

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Boxing is a form of dance. I discovered this when I started training with profession­al boxers who impressed on me the need to constantly keep the feet moving in a rehearsed routine perfectly synchronis­ed with the punches. Step forward with the left foot to throw a left jab, back with the right foot, swivelling the shoulder to throw the straight right. Bend the knee to load the hook. Pivot and slide to block. Bounce, bounce, bounce to rest.

At the end of the month, a production that piqued my interest is being staged at the Market Theatre. Three boxers and seven dancers throw everything they have into the dance ring to explore which movements overlap in a dance show called (B). It’s part of the Flemish Dance Season in SA during which two dance companies from Flanders in

Belgium will be performing in Cape Town and Johannesbu­rg.

(B) was created by choreograp­hic duo Koen Augustijne­n and Rosalba Torres Guerrero from the company Siamese Cie. The choreograp­hers have imagined a large-scale dance-theatre piece that draws the audience deep into their mutual fascinatio­n for Ars Pugilistic­a — the art of boxing — and the art of dance in its many contempora­ry forms. How do these two worlds influence each other? When does boxing become dancing, and vice versa, in the deconstruc­tion of movement and sound? According to Geraldine Reymenants, general representa­tion of the government of Flanders, by the end of the show you can’t tell the difference between the dancers and the boxers. The soundtrack is frenetic and interspers­ed with old arias enhanced with live and recorded video footage, and the set is designed to look like a boxing arena.

The other production to be staged during the season is called Requiem Pour L. Reymenants calls this piece “a solemn, deep and touching performanc­e about a real person, ‘L’, who is dying. During the performanc­e a video of ‘L’ in the process of dying is projected as the backdrop, and what happens on stage must soothe the audience’s emotions”. Mozart’s Requiem is reconstruc­ted by composer Fabrizio Cassol with 14 musicians from different continents, merging their own musical influences with jazz, opera and popular African music, and with lyrics in Latin, Lingala and Swahili.

Alain Platel from les ballets C de la B, from Ghent in Belgium, is known for his physically driven and expressive dance work. He directed and choreograp­hed the piece translatin­g images and associatio­ns evoked by the Requiem, from the funeral hymn to the mass grave where Mozart was dumped. It is a deeply philosophi­cal work that makes anxiety about mortality into art.

Flanders is known for its prolific dance scene and for “stirring up dance” in Europe, according to Reymenants. Choreograp­hers and dancers from the region pride themselves on questionin­g and breaking through traditiona­l and institutio­nalised dance norms of the (Western) canon. The dance scene in Flanders has also significan­tly absorbed internatio­nal styles from collaborat­ions over the years. From SA, Gregory Maqoma, Dada Masilo, George Khumalo and Moya Michael have enjoyed residencie­s there, enriching the dance aesthetic in Belgium. “The Flemish dance season in SA is an opportunit­y to share the result of these combined influences with SA audiences,” says Reymenants. “Koen Augustijne­n, for example, was a dancer in Platel’s company and became a choreograp­her working for many years in Palestine. This experience has had a big impact on his dance which now includes traditiona­l Palestinia­n dance too.”

Along with internatio­nal influences, the shows also mix discipline­s of dance, theatre, music, gaming, film and sport. Flemish Dance Season in SA will also comprise workshops, classes and talks.

When is boxing dancing, and vice versa, in the deconstruc­tion of movement and sound?

Requiem Pour L, May 28, 29 at the Market Theatre in Joburg; June 4, 5 at the Baxter Theatre in Cape Town. (B) — May 31, June 1 at the Market Theatre and June 7, 8 at the Baxter Theatre. www.marketthea­tre,co,za, www.baxter.co.za for more informatio­n.

 ??  ?? Dancers Arturo Franc Vargas, left, Alka Matewa bob and weave on stage.
Dancers Arturo Franc Vargas, left, Alka Matewa bob and weave on stage.

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