Sunday Times

Disney loses Aladdin’s magic

Instead of making magic, Walt’s factory once more churns out a memory-ruining live-action remake of a wonderful animated feature

- writes Tymon Smith

Twenty-seven years ago Disney enchanted millions of young and older viewers alike with the release of its animated feature Aladdin. Perhaps the most memorable part of the enterprise was the genius voice casting of Robin Williams as the Genie. It was a chance for the late comic legend to give full rein to his manic, zany, comedic sensibilit­ies. Once-interestin­g, these days just about adequate director Guy Ritchie has stepped up to the plate. Together with

Will Smith in blueface — and in keeping with Disney’s recent penchant for deciding that, rather than create new animated content for a new generation, it’s better to recreate its archive through live action — Ritchie and Disney successful­ly ruin the childhood of those who experience­d the animated version at the time and try and get a new generation on board through CGI and lazy tweaks.

While there are plenty of begrudging­ly acceptable live-action recreation­s of the original’s animated extravagan­zas and the expected singing of favourites such as A Whole New World, there’s a certain inexplicab­le “whateverne­ss” that fails to match the original material. That’s not helped by a cynical ploy by Disney to make the story more relevant by including a strong feminist subplot, complete with a jarring, out-of-place new song composed for the occasion, in which Princess Jasmine asserts her determinat­ion not to be silenced and to be allowed to rule in spite of gender restrictio­ns.

Smith does his best to step into Williams’s shoes in the role of the Genie but he’s not as anarchic as his predecesso­r and it shows. For all its mishmash culturalap­propriativ­e spectacle, Aladdin ends up being a try-too-hard pale imitation that’s too all over the place to provide a proper reinventio­n for a new generation. Disney’s time would be better spent rememberin­g its origins as a factory for the realisatio­n of magical innovation rather than simply a money-making enterprise.

Aladdin is currently on circuit.

 ??  ??

Newspapers in English

Newspapers from South Africa