Sunday Times

FOREIGN FILMS TO TAKE YOU AWAY

World cinema offers tantalisin­g glimpses into the lives, cultures and social realities — present and past — of countries far away. Tymon Smith recommends a few favourites, which one can actually (and legally) access in SA

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SUSPIRIA

– Germany

Italian director Luca Guadagnino resets the action of Dario Argento’s cult 1977 classic horror film in Cold War-era-divided Berlin. Starring Tilda Swinton, Chloë Grace Moretz and Dakota Johnson, it’s a creepy, violent psychologi­cal horror set in a Berlin dance school located next to the Berlin Wall. With a suitably moody score by Radiohead’s Thom Yorke, disturbing performanc­es from its cast and a sombre visual aesthetic, it’s a film that takes you on an uneasy but intriguing journey to a place and time you’ll be thankful you can’t experience any more. Watch it on

Amazon Prime Video.

THE HOST

— South Korea

Long before this year’s Oscar win for Parasite, director Bong Joon-Ho made his name in his native South Korea with this creature-horror blockbuste­r. It’s a film that reflects, through its darkly comic good-guys-vs-bad-guys lens, a concern with global economic relations in the modern era. When pollution from a US military base creates a huge amphibian monster that’s mad as hell, it’s up to a rag-tag group of Seoul locals to save the day. It’s good, scary fun but it’s also a cunning exploratio­n of the tough questions facing a young democracy in the era of globalisat­ion. Netflix

ROMA

— Mexico

Seventeen years after his erotic road-trip drama Y Tu Mamá También, director Alfonso Cuarón returned to his birthplace in 2018 with this intimate and wistful portrait of life in Mexico City in the 1970s. Exquisitel­y shot in black and white, it’s the story of a maid and the middle-class family she works for, which expertly pits the various domestic dramas of these socially stratified lives against the backdrop of the political turmoil enveloping the country. Winner of the Best Foreign Language Film and Best Director Oscars in 2018, it’s a provocativ­e and moving examinatio­n of the power of memory. Netflix

THE SLINGSHOT

— Sweden

Take a trip to 1920s Stockholm in this 1993 coming-of-age comedy about a poor, beleaguere­d misfit to whom life has thrown a few curveballs. His father is a committed socialist, his mother’s a Russian expat Jew and young Roland seems to be good at little except getting caned by his schoolmast­er. With help from a trusty slingshot, a box of condoms and a little ingenuity Roland manages to earn himself a little respect and a place in reform school. It’s good-hearted and entertaini­ng period fun that shines a light for outsiders on some of the lesser-known aspects of early 20th-century Swedish society. Rent it on iTunes

FIXEUR

– Romania

A strong example of New Romanian cinema, Adrian Sitaru’s dramatic examinatio­n of the struggle between the scoop and ethics in the age of digital journalism offers a bleak but perceptive glimpse into post-Cold War Bucharest. Centred on a sex scandal involving an underage girl, it offers observatio­ns of the life and landscape of the country while never shying away from the tough, universall­y relatable moral dilemma at its core. Mubi.com

ATLANTICS

– Senegal

Mati Diop’s feature-film debut won the Grand Prix at last year’s Cannes Film Festival. Set in Dakar, it explores the plight of the women and girls left behind by the men who risk their lives to find work overseas. Through a star-crossed-lovers-style story, it blends a realistic portrayal of the daily life of young Senegalese with fantasy elements that draw on rich, age-held traditions and beliefs.

This is a moving portrait of an Africa negotiatin­g the difficult bridge between modernity and tradition, which explores issues ranging from the social expectatio­ns placed on women to the struggles of workers in a globalised economy and the push-andpull factors that lead to the desperatio­n and tragedy of the search for a better life in Europe. Netflix.

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