Sunday Tribune

Sharp and funny whodunnit

- KNIVES OUT DIRECTOR: CAST: RUNNING TIME: CLASSIFICA­TION: RATING: ANN HORNADAY | The Washington Post

Rian Johnson

Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Katherine Langford, Jaeden Martell, Christophe­r Plummer 130 min

16 D L V ★★★★★

DANIEL Craig delivers a slab of Smithfield-sized ham in Knives Out,a cheekily playful updating of Agatha Christie by way of Trump-era politics.

Don’t let that scare you off. Nearly every ideologica­l tribe comes in for gentle ribbing from writer-director

Rian Johnson in this comedic thriller.

Populated by a quirky ensemble of miscreants, ne’er-do-wells, misfits and at least one hilariousl­y moony New Age doyenne, Knives Out doesn’t hesitate to get a few licks in regarding immigratio­n politics, liberal hypocrisy, internet trollery and the we-built-that mythologie­s of inherited wealth.

But mostly Johnson is here to revive a nearly lost form cherished by fans of everything from Murder on the Orient Express and Sleuth to the board game Cluedo. In this busy, bickering whodunit, the hints pile as quickly.

The fun here – and there is a lot of it – is to be had simply in allowing an ensemble of game, generous-spirited actors to give their all in service to the fine art of misdirecti­on and mayhem.

That starts with Craig, who plays Benoit Blanc, a detective sent to investigat­e the death of a renowned author named Harlan Thrombey (Christophe­r Plummer). Affecting a Foghorn Leghorn drawl (“What is this, CSI: KFC?” someone quips), Blanc questions Thrombey’s extended family one by one, to ascertain whether his demise was accidental or something more nefarious.

Conducting his interrogat­ions in front of an extravagan­t starburst sculpture (that happens to be a spectacula­r take on the movie’s title), Blanc embarks on what amounts to a screwball Rashomon, during which Harlan’s heirs – a rogue’s gallery of puerile brats and plutocrats – desperatel­y try to cover their own assets.

Like Succession on silly pills, Knives Out paints an alternatel­y ridiculous and infuriatin­g portrait of the clan that has assembled in Harlan’s fabulously cluttered and appropriat­ely gothic mansion: his daughter Linda (Jamie Lee Curtis), a real estate mogul; her randy husband Richard (Don Johnson); Harlan’s nurse Marta (Ana de Armas) and a whole lot more. ,

Once the game is afoot in Knives Out, its step is never less than light, swift and sure.

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