The Citizen (Gauteng)

Can an algorithm produce art?

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The Portrait of Edmond de Belamy, pictured, was created by the French collective Obvious via artificial intelligen­ce (AI) software this week at Christie’s in New York.

The question is: is a canvas created by AI software a work of art?

The enthusiasm aroused on Thursday by the first auction of an array created by algorithm – auctioned at $432 500 (R6.4 million) – feeds the debate more than ever.

The painting exploded the estimate of Christie’s house, which had put the cursor between $7 000 and $10 000.

The name of the buyer, who participat­ed in the sale by phone, was not revealed. Two other people bid unsuccessf­ully, one being an online buyer from France, the other in the room in New York, according to Christie’s.

From a distance, the canvas, in its gilded frame, looks like many portraits of the 18th or 19th century, with a man represente­d by three quarters, in black jacket and white collar.

Up close, the man is intriguing: face blurred, unfinished, with for any signature, bottom right, a mathematic­al formula.

Pierre Fautrel, one of the three members of Obvious, explained before the sale that the portrait was designed with the aim of democratis­ing creation via AI.

To make this painting, Fautrel said he had to feed a software of 15 000 classic portraits, from the 14th to the 20th century.

According to Fautrel, the software Obvious used has learned to “understand the rules of portraitur­e”. And thanks to a new type of algorithm developed by a Google researcher, Ian Goodfellow, Fautrel then generated a series of new images himself. – AFP

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