The Citizen (Gauteng)

Oh shucks, it falls flat

APPROACHIN­G POACHING FROM THIS ANGLE FEELS DANGEROUS

- Adriaan Roets

There are some highlights, including seeing Khanyi Mbau as a game ranger.

Like skaftiens at work, Mrs Balls, a sneaky kota, melktert and gran’s mogodu, South African cross-generation­ality grew up with Leon Schuster. For some reason, his films There’s a

Zulu on my Stoep and Panic Mechanic captured a multitude of feelings about the idea of a “new” South Africa and managed to get the nation to laugh together. This year, however, the laughter is no longer that joyful. In his latest big-screen stint, Schuster takes on rhino poaching as a thematic core tying together the slapstick expected of him. It comes off as old and dated, which is a problem because Frank

and Fearless is well constructe­d. Tragedy brings together a young boy named Fearless (played by Themba Ntuli who stole hearts in last year’s Meerkat

Maantuig) and his friend Dog (a dog) with the ageing troublemak­er Sonny Frank (Schuster) and an orphaned baby rhino.

The trio take on poachers and get involved in a kidnapping, with hilarious results.

The Schuster formula is in full play. Slacker adult teams up with child to overcome the baddies. We’ve seen it – in almost every Schuster film. And that’s the problem. It’s not a badly made film, it just does nothing new. That’s not to say there’s not a few highlights – and believe it or not Khanyi Mbau has a somewhat scene-stealing role.

Mbau is a geeky character who also happens to be a game ranger, which considerin­g her flare for style and making a splash on the front pages of newspapers, is a charming moment in South Afri- can cinema. She also proves that she has the chops to hold her own in a variety of scenes, from slapstick to dramatic (rhinos are getting killed, it’s not a constant walk in the veld).

In the era of land-reform, tightrope politics and the thin veneer of nature conservati­on in the bigger South African picture, it just falls flat. Frank and Fearless is mediocre at best. Approachin­g something like poaching from this angle feels dangerous. Instead watch something like Stroop: Journey into the Rhino Horn War, which explores the poaching industry and educates rather than delivering a few hollow chuckles.

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