The Citizen (Gauteng)

Museum retains the ‘soul’ of southern Iraq

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Samawah – An imposing house stands out among other buildings in Iraq’s Samawah city – once a multi-generation­al family home, it’s now a museum of a bygone age in the country’s tribal south.

Abdellatif al-Jablawi, the property’s owner and family patriarch, led a tour of the house where he was born 80 years ago.

At the time, three generation­s lived in the house, with its intricate “shanasheel” bay windows, wooden balconies and tall doors topped by elaborate lintels.

“Over the generation­s, everyone preferred to rent elsewhere and the house emptied out,” said Jablawi, now the oldest member of his family.

The house is comprised of 13 rooms splashed with sunlight, coloured by stained-glass windows, including a grand ceremonial salon and kitchen, which Jablawi still calls “the fi replace”, as it was known when he was young.

The rooms are connected by steep, narrow stairs and walls of yellow brick, a historic building material still produced in southern Iraq.

Jablawi said the home had been at risk of “falling into ruin”.

“I decided to buy back all the shares of the house ... and, in 2015, I found an architect [who] specialise­d in renovating heritage buildings,” he said.

“I told myself: ‘ This is our loyalty to the past’.”

All told, the work to restore the building cost 250 million dinars (about R2.6 million) .

At the start, some family members were resistent to the project, said Ali, Jablawi’s oldest son, standing in the inner courtyard, where a well recalls the days before running water.

“We didn’t agree with this project and the expense; we suggested he sell the dilapidate­d house to construct a building because we are in the commercial centre of the city,” he added.

Jablawi’s stubborn commitment to the plan eventually convinced the rest of his family.

“The house has become a symbol of the city and it is open to everyone, so we understood that our father was right,” Ali said.

The antiquitie­s directorat­e in Muthanna province, one of Iraq’s poorest, only provides logistical support in protecting heritage sites “when necessary”, one of the directorat­e’s officials Mustafa al-Ghazi said.

Before the coronaviru­s pandemic, the house regularly hosted cultural events and evenings of poetry or music among carved wooden chests, carpets and cushions on the floor for family or tribal gatherings.

Last year, the house was the subject of a documentar­y, titled The Soul of Samawah – an honour for its proud owner. –

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