The Herald (South Africa)

Anelka’s controvers­ial gesture a childishly stupid act, at best

- Sipho Hlongwane ©BDlive

WEST Bromwich Albion striker Nikolas Anelka has never been far from controvers­y. From his intemperat­e days at Arsenal to a glittering career around Europe, he has never been far from a headline.

It was so during the hectic Barclays Premier League holidays schedule too. Having scored his first BPL goal in 28 months, the lanky Frenchman celebrated by extending his right arm down and then “cutting” across it with his other.

The gesture is known as “la quenelle” in France, and the gastronome­s among readers will associate the word with a delicious spiced meat dumpling. But thanks to the comedian Dieudonné M’bala M’bala, it is a word associated with something else entirely.

To say that the comedian is a controvers­ial performer would be an under- statement. Having started off left-wing, he drifted into anti-Semitic and anti-Zionist territory and has had run-ins with French authoritie­s for his shows, which insult the memory of Holocaust victims.

So, is the quenelle just an anti-establishm­ent gesture, or is it a downward, reverse Nazi salute, as several Jewish groups have claimed? It’s become something of a meme, with people taking photos of themselves doing it in front of “establishm­ent” or government buildings. Yet some have also done it in front of explicitly Jewish buildings. Two French soldiers were sanctioned in September for saluting in front of a synagogue.

Anelka’s celebratio­n brought the quenelle to a global audience and, rather predictabl­y, it sparked a massive uproar. It emerged other French players such as Manchester City’s Samir Nasri and Liverpool’s Mamadou Sakho had been pictured making the gesture. The players have largely denied the gesture’s anti-Semitic overtones, saying it is an anti-establishm­ent gesture for them. West Brom made their striker promise not to do it again.

Outside the BPL’s strict rules around conduct and political expression, the quenelle is very likely to continue to flourish after the attention it got. Even as the controvers­y began to explode, there was a sense that perhaps the entire context was misunderst­ood.

France has a rich history of antiestabl­ishmentari­anism, but also a dark one of lingering anti- Semitism. There was a disappoint­ing lack of solidarity with Jewish people throughout the saga. Anelka and Nasri ought to know better than to do something that associates them with racism against Jewish people.

In a way, this controvers­y was the perfect metaphor for general public response to outrage against racism in 2013. Please forgive me for bringing Justine Sacco up again (she’s apologised, it must be said), but in the aftermath of her stupid tweet about Africans and HIV and the ensuing controvers­y, the commentari­at was far more worried about saving her from “the mob” (whatever that is) than they were with, oh I don’t know, condemning her vile racism. It seems they were far more concerned about the dehumanisi­ng effect of the widespread condemnati­on than they were with the fact that her racism dehumanise­d black people.

Where, I wondered, was the concern about racism in general? I ask the same of those who support Dieudonné.

Anelka’s decision was childishly stupid, at best, knowing how unsmiling the Football Associatio­n’s disciplina­ry board is about such things. His excuse that suggests the rightly offended are in the wrong simply won’t wash any more.

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