The Herald (South Africa)

Laugh-out-loud quirky take on communicat­ion

- LOUISE REAY: IT’S ONLY BIRDS by Louise Reay, at The Hangar Wednesday to Friday.

NI SHUo shénme (what did she say)? Is the term you will quickly learn as you try to decode what is happening in this show.

Hilariousl­y funny and unashamedl­y unique, British comedian Louise Reay’s unusual production will leave you with a belly ache from laughter as you delve into a world where communicat­ion is key.

It’s Only Birds is punted as only having 7% verbal communicat­ion (at least that is the part you will be able to understand). Reay, who is fluent in Chinese, uses everyday objects to communicat­e with her audience.

The first thing you will hear as the performanc­e starts, is an interestin­g rendition of the age-old nursery rhyme Old MacDonald Had a Farm, in Mandarin – from there you are taken into a world of stereotypi­cal Chinese haggling while Reay tries to sell you items you do not actually need, to encouragin­g the audience to re-enact the music from Italian composer Giacomo Puccini’s Madame Butterfly.

Cleverly put together, although admittedly, mostly improvised, Reay’s antics get the audience so involved that they actually become part of the show. Understand­ing the show and what it aims to do is easy – from the start Reay uses visual cues to tell you what is happening – or does she?

Her act leaves you wondering how on earth people from different cultures communicat­e while realising that with the right methods of communicat­ion, anything is possible.

It is no surprise that Reay is an award-winning entertaine­r, recently awarded this year’s Adelaide Fringe Best Emerging Artist Award. She was also a nominee for the Edinburgh Fringe Groundbrea­ker Award last year.

And yes, birds do feature in the performanc­e, not live ones, but they are there. – Devon Koen

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