The Herald (South Africa)

Fashion feud shake up for Shakespear­e in the park

Slap-up ‘Romeo and Juliet’ with a modern twist, delivers

- Angela Daniels

Fast-paced with slick choreograp­hy, kick-ass music and some great comedy moments.

Those weren’t really the words I expected to use when describing the Port Elizabeth Shakespear­ean Festival’s production of Romeo and Juliet — but there you have it.

Director Lesley Barnard, along with choreograp­her Bennie Gerber, has done a slap-up job of infusing the Bard’s most famous tragedy with a great deal of energy and spunk.

With a modern twist — the Capulet’s and Montague’s are members of rival fashion houses — Barnard has also coaxed excellent comedic performanc­es from Tarryn Light as Nurse and Jaydee Mulder as Mercutio — the stand out actors of the show.

Light, with her exaggerate­d Italian accent, energetic performanc­e and command of the stage ensures the show does not lack in pace, while raising many a laugh.

Mulder does the same — he is over-the-top (in a good way), exuding energy.

He puts in a witty performanc­e and his lines flow in a way that one never has to struggle through the Shakespear­ean lingo.

Daniel Hamilton as Romeo pours his heart out in the performanc­e, with his projection on point and bringing some real emotion to the central character.

As an actor, he is growing from show to show.

His counterpar­t, Gemma Barnard, puts in a solid performanc­e but could perhaps add a little more softness to the character.

Theatre stalwarts Leslie Speyers as Lord Capulet, Vanessa Grebe as Lady Capulet and Brett Adkins as Friar Laurence add gravitas to the production, with Grebe particular­ly good as the grieving Lady Capulet.

Kerry-Lee Allen, in a genderbend­ing portrayal of the Prince, puts in a commanding performanc­e.

She is a strong performer and her character — as it should — demands respect.

There is a lot to love about the costumes and make up when it comes to this production.

The Capulet house is filled with women whose hair is bright pink, while the house of Montague sports blue-haired beauties and the costumes — think funky corsets, heels and skinny jeans — have been carefully co-ordinated.

The ensemble cast add greatly to the show as it is they who do most of the dancing and fill the smaller yet still important roles.

For the most part, they are young yet they have confidence and charisma.

There is also something magical about open-air production despite the challenges they present — mosquitoes, and in Port Elizabeth, wind of course.

On opening night, Wednesday, the wind was quite strong and blew through the microphone­s on occasion but the cast coped well.

Romeo and Juliet, being staged at the Mannville Open Air Theatre in St Georges Park, runs until March 21.

Tickets, available at the gate, cost R80 for adults and R60 for pupils.

 ??  ?? HIGH DRAMA: Jaydee Mulder as Mercutio in the Port Elizabeth Shakespear­e Society production of 'Romeo and Juliet' takes his last breath as Benvolio (Matthew Hamilton), left, and Romeo (Daniel Hamilton) sob in horror
HIGH DRAMA: Jaydee Mulder as Mercutio in the Port Elizabeth Shakespear­e Society production of 'Romeo and Juliet' takes his last breath as Benvolio (Matthew Hamilton), left, and Romeo (Daniel Hamilton) sob in horror

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